Baptists: Bushcraft
The songs are the thing, riffs and hooks left and right that snatch your breath, but it’s the squeezed-fist-grip-on-your-heart attack that makes Baptists your better-than-average d-beat plus metal guitars unit.
The songs are the thing, riffs and hooks left and right that snatch your breath, but it’s the squeezed-fist-grip-on-your-heart attack that makes Baptists your better-than-average d-beat plus metal guitars unit.
Overall, this is a pretty solid sludge record. Nothing that I haven’t really heard before, but these guys do it fairly well.
In listening to the reissue of Screaming For Vengeance, it suddenly becomes clear that, as “of its time” the production applied to the record was (the effects on “Electric Eye” – all the clanking reverb and robotic imagery – and the glammy metal sheen of “You’ve Got Another Thing Coming” are good examples), the record is the “step up” made by a band who knew they had the world’s attention, and continues to command respect thirty years later both for that and for its song craft.
Overall, this isn’t a bad listen for fans of Neurosis, Zoroaster and the like. That said, I’m not sure this one’s a real winner—especially coming hot on the heels of the former’s latest record.
If this is any indication of what is to come, I think that their return couldn’t have come at a better time. I can’t wait to hear the rest of what Convulse circa 2013 is capable of.
Ritual of Passing is dirty, atmospheric, unsettling and cerebral. Turn down the lights, light some candles and really listen.
Graveyard follow suit to their name, like a rusty tombstone, symbolizing age and progression over time. If cleaned properly, you’ll find a treasure once forgotten, or an antique piece like Lights Out, that just needs to be revisited.
Target Earth is one of those albums that many reviewers will spend more time talking about what is wrong with it than what is right. Since it is the first album to feature Mongrain and it is essentially the start of a new era, you can expect it to be compared over and over to the band’s legacy. This is unnecessary in my opinion, for as Snake sings in “Warchaic”, the band is out “to find a brand new world”, and it is something they manage to do just fine.
KNY may be Deftones most melodic album to date. However, they maintain enough crunch so as not to sound like they’ve gone soft.
“(Human) embodies much of metal’s concern for and obsession with material questions of existence. It remains special partly because of its historical importance for extreme metal, but also because it stands out as a prime example (out of many) that it is very possible to merge anger and aggression in extreme metal with a compassionate search for answers to social and philosophical questions.”
A revisitation and re-evaluation of the classic DEATH album Human by Jonathan Smith