Enslaved – RIITIIR
Enslaved’s unique, progressive, black metal style is the root of the voyage you take on this album. It’s arguably the band’s most uniform element, and they hit all the right notes this time.
Enslaved’s unique, progressive, black metal style is the root of the voyage you take on this album. It’s arguably the band’s most uniform element, and they hit all the right notes this time.
Like a good blues song Lovelessness connects with the listener. The heart feels what the musicians feel. Pain, sorrow, anger, joy and lovelessness. Bison filter those feelings through vicious heaviness and impactful songwriting. No matter the transition these Vancouverites do it seamlessly and effortlessly. Nothing sounds forced.
I Begin is an apt title for what is a new beginning of sorts, and like many beginnings it is not perfect. However, its lesser moments can be overlooked in favour of the enjoyable whole.
“I cannot stress how fantastic it was to attend Noctis V. To get to see three nights of amazing shows from a lot of bands who would never come to this part of the world otherwise; to spend afternoons rubbing elbows with those same bands, esteemed members of the metal literati, and like-minded fans, all of us just there to bask in the glory of metal, welcome and free to discuss the music we love so much with people just like us. It just might be that Calgary is the new metal capital of Canada”
Noctis 2012 wrap up article by Kyle Harcott
Overall, Full Pull is a terrific outing for Bullet and their first for Nuclear Blast. While the album contains little in the way of surprises, the songs are strong and catchy with great sing along choruses. Sometimes, that’s all you really need in a record.
“the Swedes leave you to rewind, ponder and reflect on its content, strengthening Witchcraft’s status as revival artists of doom today”
This is an album I will be proud to add to my collection, and it’s one of the few metal albums that’s evoked so many emotions in me.
Embers and Revelations draws from a thoroughly Luciferian lexicon, and is a magnificent deluge of ungodliness. Weapon prove, once again, that an abundance of sinister creativity can be dredged from the quagmire of blackened death and masterfully butchered upon the altar.
Bottom line, you will not find another band in Toronto that sounds anything like this.
This show is a great peak into what Thin Lizzy were about to become with 1976’s Jailbreak – one of the best hard rock bands in the world.