FOR THE LOVE OF METAL
This feels very much like a concept album or an experiment, which is certainly not a criticism. Fans of their previous work may be surprised by this direction, but for its flaws Kata Ton Daimona Eaytoy is not an unwelcome edition to Rotting Christ’s discography. In fact, it in fascinating to see them incorporate elements of the religious structures and culture that they have built a career out of rebelling against.
“Graveyard had tapped into a human condition that made a roomful of strangers no longer seem strange. It’s not something you can experience every day, but it’s certainly something worth waiting for.”
Live review and photography by Renee Trotier
“The full effect of the album is best when listening on a good stereo. The aura and dark undertones of Vessels must resonate through the room to connect with our human frequencies. Our flesh and blood are the vessels of light and decay.”
ProgPower USA 2012 had one of its most diverse line ups in the festival’s history. Here is Justin Richardson’s recap of the first day of last September’s festival, which included performances by Sinbreed, Kingcrow, Amaranthe, Serenity, Primordial, Redemption and Epica.
Review recap and all concert photography by Justin Richardson.
‘The Power’ will definitely be in my top ten for 2013, and if you love metal it should be in yours too.
I honestly can’t think of any flaws with this album other than how long it took to be released. If I had to pick a favourite album of 2012, this would definitely be it.
Without the soy sauce Wintersun need, Time I is not seamless. But like vegetables in a good stir fry, their talent is fresh and inviting. This band has been harvested to think outside the box, even if it means adding a little Hoisin.
Ride the Void all you want. It’s mad fun. But remember there are other attractions waiting for you too.
A capacity crowd came together at Toronto’s Phoenix Concert Theatre last week to witness France’s mighty Gojira, Canada’s own Devin Townsend Project, and Chicago’s critically acclaimed The Atlas Moth, and what a show it was. Hellbound’s Adam Wills was there to witness the whole thing.
Day three of this year’s 70,000 Tons of Metal cruise started off at Grand Turk with fun in the sun and continued into the late hours, with live sets from Metal Church, Helloween, Nile, Immolation, Doro and many, many more
Live review by Adrien Begrand; Live photos by Marc Hansen, Michael Jagla, Ag Babin, and Adrien Begrand.