FOR THE LOVE OF METAL
Five Serpent’s Teeth proves that Evile are also growing, in terms of skill and aesthetics. The album is faster and more precise; the band members are surer of their choices and influences; and their sound is more original and independent.
Keeping up with their habit of releasing an album every two years, I believe that Redemption has released the best album of their career to date.
This is the kind of refreshment the metal scene needs every once in a while. Kind of like a retreat in a continent far from home, or giving your neck a break from the whiplash and moshpit to enjoy every bar note for note.
Sludge and college radio go together like chloroform and a dirty rag, so it’s only fitting that the new Noothgrush compiles two college radio appearances they made in the late 90’s.
As it’s still unforeseen where Opeth are heading to next, Heritage stands out as an eccentric anomaly in their catalogue. But this doesn’t diminish the quality of the album one bit. Heritage is a fantastic album, although it’s not without its flaws. However, those flaws have nothing to do with Opeth’s decision to become preoccupied with prog. They are simply slight musical missteps, and who hasn’t stumbled when finding a new path?
Sympathetic Resonance might only contain six new tracks, but every one of them is superb. I know I’m not the first one to say this, but if you were contemplating investing in some progressive metal and you were reaching for the new Dream Theater release—stop right now. Arch/Matheos is infinitely more creative and a hell of a lot more satisfying. Who knows what will become of the band, but I sincerely hope that they record again because Sympathetic Resonance is an outstanding success on every level.
Warriors of Ice is a definitely a high point in the career of Voivod and a show that will certainly go down in Canadian metal lore. Whether the band attempts to write an album of new material or even continues on in this (re)incarnation remains to be seen. If they decide not to continue on they have left us with one hell of a live record to day dream with. This is a must for any Voivod fan, or new-to-the-scene metal head.
From the moment the ringing guitars kick in on the first track, “Coffin Varnish”, all the way through to the final noisescape of “Horse Thieves”, the band delights in kaleidoscopic twists and mind-expanding turns, plucking ideas and harnessing influences from across the musical spectrum.
Don’t get me wrong, I like my sludge metal, but I’m more into bands that bring something palatable to the table. If I were to liken the genre to a Mexican restaurant—I also like me some Mexican food—Black Cobra would be the basket of plain tortilla chips they put out before the main course.
The nightmare thread notwithstanding, Alice and company could have given this a different title and stayed away from the ‘sequel’ aspect and still had this be the best, most complete sounding Alice Cooper album in a decade. Yes, even the song with Ke$ha (‘What Baby Wants’) is catchy as hell, if not a little discoesque (ala Goes To Hell).