November’s Doom: Into Night’s Requiem Infernal
By Melissa Andrews Into Night’s Requiem Infernal is the latest offering from November’s Doom. I loved the band’s previous release The Novella Reservoir so…
By Melissa Andrews Into Night’s Requiem Infernal is the latest offering from November’s Doom. I loved the band’s previous release The Novella Reservoir so…
For all the hype it received in 2007, Divine Heresy’s debut Bleed the Fifth was a major disappointment. Somewhere along the way, though, band leader Dino Cazares righted the ship, for the follow-up Bringer of Plagues turns out to be one of the more pleasant surprises of the summer.
Adrien Begrand reviews the new sophomore release by Dino Cazares’s new band Divine Heresy and, much to the surprise of many of us over here at Hellbound HQ, he digs it.
Burnt By The Sun has never been one to leave out groove and melody laced with absolutely fury and heaviness in an intelligent way and this continues on Heart of Darkness. As always the groove is driven by Dave Witte on drums, a man of many bands but never short on talent and ability to hold any style of music together. The drums sound huge and really pound out those heavy head banging riffs like Lexington Steele pounding a chick into submission.
Germany is famous for its beer drinking, festival loving rabid heavy metal fans. This is where Bay Area thrash giants Death Angel filmed their very first live DVD showcasing two energetic sets in which the band perform their most mosh-worthy classics.
Upon first listen, you might think this fifteen track offering is one of the greatest live albums of all time; it’s definitely one of the best to see release this year. This CD is what Death Angel is all about: heavy, thrashy, tight live playing that is highlighted by great guitar work.
Doom purists may be put off by some of the softer more melodic fare on here but I find Ahab’s diversity refreshing and adventurous in what can sometimes be a rather monochromatic genre. Like waves that swell and then recede, Ahab seems to have adopted a similar approach to their song craft and for the most part it works admirably.
Across The Dark is the latest album from Finland’s Insomnium, and it is another entertaining showcase of the accessible and melodic death metal that the band does best.
The vocals are perfect. They always match the music dead on. Unlike most female goth metal, Charlotte Wessels does not sound over dramatic. Her performance grabs the listener and does not let go until the album’s completion. However, this album does not strictly rely on vocals like most female-fronted goth metal acts; it also gives the listener a good dose of instrumental sections as well.
Reunion albums are bloody scary things. You never know exactly what you are going to get, will it be a masterpiece or something that you wished never happened? More often than not, it’s the latter that rings true but in this case I am proud to report that the return of Artillery with a new studio platter is a delightful surprise that will not only fulfill the wishes of veteran fans, but should also pick the band up an new army of devoted thrashers more than ready to help further the cause.
Montreal’s Augury is describable as Canadian Progressive Death Metal. This band manages to keep the listener’s interest throughout the whole album delivering fresh melodic tunes on their second full length cd Fragmentary Evidence.