Tonight’s stop on the so-called No Safe Space Tour may be an attempt to take a swipe at the increasingly politicized climate the modern…
I’d heard a lot of good things about Bastard Sapling’s debut album, Dragged From Our Restless Trance, but their newest offering, Instinct is Forever,…
The soundtrack runs close to an hour and all the songs are previously unreleased. It is, by turns, invigorating, eviscerating and just good old nostalgic fun. The pulverizing metal component means all the dynamic, outlandish fluency of the action genre is represented.
“It was SXSW in Austin, so hell, we just decided to party. While hanging out on 6th Street, we were encountered by a rapper pushing his product. It’s normal for independent artists to either talk up, give away or sell their music at SXSW, but this chap obviously lacked common sense by trying to interest us in his rap project. Granted, people like all kinds of music nowadays, but did it really make sense for a rapper to approach a group full of dirty long-haired or head-shaven guys wearing metal shirts? I suppose my friend unintentionally baited him by somewhat loudly talking about Watain, the satanic Swedish black metal band. But that’s not what rap dude overheard. “Wu-Tang? Did somebody say Wu-Tang?”
Watain. Not Wu-Tang. We tried to correct him, but he interrupted us. “If y’all like Wu-Tang, you’re gonna love this!” I have his promo copy somewhere, and I’m sure it’ll make for a great coffee coaster once I find it.”
The second and final installment of Jay H. Gorania’s recap of the 2011 edition of the SXSW Music Festival in Austin, Texas
In the end, Black Marketeers of World War III is an enjoyable but standard album that doesn’t make a long-lasting impression or distinguish itself from its musical brethren. Wolvhammer’s hearts and minds are obviously in the right places, but this fact plus a few memorable musical moments isn’t enough to make for a record that stand-outs out from the pack.