Venom

Maryland Deathfest 2011 Recap Day 2

Continuing on from our collected review of Thursday’s show, here is what we thought of the bands we saw which played Friday, Day two, of the 2011 Maryland Deathfest. Reviews by Adam Wills, Laura Wiebe, Kevin Stewart-Panko and Sean Palmerston, with photography by Albert Mansour.

Demontage – The Principal Extinction

I gotta say, the first black metal album I ever bought was Venom’s Black Metal, and I haven’t purchased many others since. Alas, to call Toronto trio Demontage a black metal band would be applying the word in its traditional sense, the way it was once used to describe Venom and Mercyful Fate.

Macabre – Grim Scary Tales

Anyways, if you’re one of those weirdos like me who worship Macabre, you’ll want this one. Although the production is a lot better and the sound slightly more modern, there are enough shades of Sinister Slaughter on Grim Scary Tales that oughtta make solid additions to their live set next time they’re in our vicinity.

Imperial of Krieg: The Hellbound Interview

“The other reason is that people want to tag bands with some political name; especially if you don’t denounce the group they say you are a part of. I won’t denounce any political movements. One, I’m not a part of them and it’s not my place. And two, I believe in free speech and free expression. If someone wants to go out and be a part of a movement even if I don’t agree with it it’s not my place to step in. I’m not an activist, I’m not as politician. I have enough problems of my own and I don’t need to start a war with any specific movement.”

Justin M. Norton in conversation with Krieg founder and main man (and sometime Twilight collaborator) Imperial.

STAFF PLAYLISTS: September 2010

BACK BY POPULAR DEMAND!

Find out what HELLBOUND’s contributors have been listening to during the month of September. Almost every writer has submitted their Top 5 list and have an option to list a book and a film they are into right now too

Die Hard – Nihilistic Vision

Similar to a post-modern poem, the album is dispersed and features lack of structure, which can be presented well if thought-out correctly. Despite half of the musical mess, the guitar work of Hasse is strong and precise that expresses undeniable talent above a clutter of sounds.