Sylosis have just unleashed their latest masterpiece Monolith through Nuclear Blast on October 5th. On this, their third album, the band has taken their blend of progressive thrash and moved things forward. While still a complete ‘shred fest’, Monolith has more feel to it, more ambience if you will. Taking the band to record where giants have tread before (Monnow Valley Studio, which has housed Black Sabbath, Judas Priest and Rush to name a few) seems to have given Sylosis the ability to convey mood a little more, and dial back on the technicality of their songs. Monolith is a fantastic achievement for this young band, and I had the pleasure of speaking with founding member/guitarist/vocalist Josh Middleton a few days after the North American release of the album.
Back again by popular demand, it’s the one, the only Kevi H Metal and his Rimshot reviews! A long standing Hellbound favourite returns.
By Natalie Zed Every once in a while there is a concert line-up that makes you do a double take. The bands are so…
Adrien Begrand reviews the May 4th Saskatoon performance by Untimely Demise, Grand Master, Mares of Thrace and Agony Spawn at Amigos.
Though I’m not nearly as devoted to them as I am to Matt Pike’s previous outfit, the recent output from High on Fire has been solid enough that a new record from them still lands on my “must-buy” list. (‘Specially when it comes out on my birthday, heh heh.)
Prominent American senators and presidential hopefuls have pointed their fingers at Cannibal Corpse, implying the band is partially responsible for society falling apart. Murder victim family members have also done the same. Censorship has reared its ugly head in Germany, a nation where the band has been legally prohibited from playing certain songs. And yet through it all, the Florida-based death metal machine continues to march on, hacking away at everything in sight—musically, that is—nearly a quarter of a century after its inception.
Jay H. Gorania interviews Alex Webster, bassist and founding member of death metal legends Cannibal Corpse.
Review and photos by Justin Richardson Even though the golden era of power metal has been over for years now, the double bill of…
“I’ve always credited Finland’s Children of Bodom with helping to further my interest and involvement in metal, and in all those years I’ve seen them live a countless number of times. Somehow though, this show felt different. It felt special. Whether it was the ravenous crowd, my nostalgic mood, or the fact that this was the band’s 15th anniversary tour, the moment I heard the opening riffs of “Sixpounder” I just couldn’t stop smiling.”
Renee Trotier reviews the February 27th Toronto performance by Children of Bodom, Eluveitie, Revocation and Threat Signal. Live photos by Albert Mansour.
With a few defeats and changes of members along the way, along with a fairly lengthy discography, Desaster are still campaigning like true survivors. Having never gained the sort of popularity or visibility of many of their German brethren, the band have remained a cult act, and their new album, The Arts of Destruction, isn’t likely to change that scenario any time soon.
There’s something evil baking in the kitchen of Kathy Bejma, a Chi-town native who’s creative to the max with her concept of merging metal with cupcakes. Developed in 2008, Metalcakes is a culinary tribute to her favourite bands, baking with supreme passion whilst listening to the most blasphemous of records. From the simple topping of whipped cream to the intricacy of edible flowers, Bejma’s blog includes a detailed account of each process, sharing her recipes with a global following.
Ola Mazzuca in conversation with Kathy Bejma about her blasphemous cupcake creations.