This is what the Tangent does best: bringing stirring music and real-world ideas together. They’re working class heroes, in a way. Prog rock fans aren’t used to being confronted by such blunt lyrical statements, but that’s part of the challenge that this album threw at me. Once I got in tune with its approach, COMM became a rewarding listening experience.
Hybrid Child is effervescent and fun, a mostly harmless romp through progressive rock territory. District 97’s edge can be found in the way vocalist Leslie Hunt carries the melodies and the staccato riffing that anchors most of the tracks—you can sorta tell that a drummer composed them.