From the Vaults more than satiated fans eagerly awaiting Ultraviolet’s release, and also serves as an excellent primer to the Kylesa pantheon for those just discovering the band.
Back again by popular demand!
You keep asking when it’s coming back, so here it is. Here is what the staff of Hellbound.ca has been enjoying during the months of July and August 2013.
Hellbound Metal: “All the things that make Kylesa Kylesa are still present but the band has shed another layer of skin to expose a deeper sense of self, thus creating a highly dynamic and more sensitive album. The heavier sludge parts exude power and defiance while the more plaintive aspects display vulnerability.’
Well holy shit, it’s a Hellbound Radio playlist! Well, there actually hasn’t been a playlist for a while, as it has been nearly a month since we have done the show live. Never fear however, faithful listeners/followers, for Hellbound Radio returned on Sunday night with a show jam packed full of new releases.
Put even simpler, this is lumber, beard, and weed metal, homegrown with Columbian ocean/mountain/sky pride.
To say this album is an early contender for album of the year is not unwarranted. KEN Mode’s execution here is nothing short of outstanding and if the rest of Canada’s wealth of metal talent want a shot at next year’s Juno, they’ve got some serious catching up to do.
This feels very much like a concept album or an experiment, which is certainly not a criticism. Fans of their previous work may be surprised by this direction, but for its flaws Kata Ton Daimona Eaytoy is not an unwelcome edition to Rotting Christ’s discography. In fact, it in fascinating to see them incorporate elements of the religious structures and culture that they have built a career out of rebelling against.
Western Canadian metal owes a lot to Terese Fleming. As the organizer of the Noctis festival, she has put our region on the map as far as heavy metal culture goes. Incredibly supportive of her local and regional scene, Terese has been putting on shows, from tiny community halls to the now multi-day Noctis extravaganza for years. I spoke to her over the phone to find out some history of her involvement with Noctis, what bands she’s into, and whether us attendees will really be eating bowls of ball bearings at the Noctis Metal Breakfast.
Interview by Kyle Harcott
As much as I’m digging this record, I’d hate to give it a perfect 10 for being so agonizingly, cockteasingly short. But, y’know, it’s pretty damn close. If you ever enjoyed the Wino era of Vitus, you will definitely dig this.
The Great Mass doesn’t stay with me long after the final track, “Therianthropy,” dies away, but in the moment each song offers to be deliciously, mind-numbingly immersive, and I’m quite willing to let myself drown in the experience.