Our sixth staff interview is with transplanted writer Cara Cross
Today’s staff interrogation is with Toronto university student and Hellbound contributor Ola Mazzuca
I can see how this would’ve blown some minds back in 1990, but it really hasn’t aged all that well. Other bands have since taken the torch and left Winter sputtering behind with this lo-fi, depressing slog of an album that has more in common with the “gothic doom” of My Dying Bride than the true masters of the genre.
October Falls don’t try too hard to accomplish a gloomy sound that has become cliché amongst many bands, where intention for ambience results in absent of passion that’s straight from the guttural. Instead, they have chosen their elements carefully, organizing their music in an unimpeded manner like a leaf falling to the ground.
One of the optional categories that all Hellbound contributors were asked to write about in our year end polls was their favourite Metal DVD of 2010. As it was optional – and because not all of us watched music DVDs in 2010 – not everyone has participated but I think that it is obvious from those that had a favourite to offer that the new RUSH documentary Beyond The Lighted Stage was hands down the favourite, followed by the Norwegian black metal documentary Until The Light Takes Us. Here are the individual favourite Metal DVDs of 2010, alphabetical by writer.
One of the things we polled our writers on was to tell us what their Event of The Year was for 2010. Here is what they have sent us in response…
This two disc set is an excellent introduction to the Polish band’s live show, which should also win them over a whole new crowd of fans too.
“I think quality and uniqueness are what makes books into big sellers. Reading books is a subversive and uncommercial action from the start. Books are the last bastion of quality and uniqueness in mass culture.”
An interview with Ian Christe, founder and publisher of the Bazillion Points publishing company.
I lost interest in Paradise Lost sometime in the mid-90s, and one opening slot for Opeth several years later did nothing to change my mind. But listening to the band’s latest album, Faith Divides Us – Death Unites Us did.
While Clutch traditionally is known for its forays into hard rock and metal, the all-instrumental Bakerton goes off onto other musical tangents that are also engaging although they can be very different from their main gig. El Rojo finds the group heading succinctly into jamband territory, creating an engaging mixture of funk, blues and classic rock that gives the musicians lots of room to breathe and let their musical chops shine.