Natalie Zed

Obituary/ Entombed/ Rumplestiltskin Grinder at The Opera House, Toronto, ON June 1, 2010

I have yet to attend a metal show that I am not excited about. It’s an excitement that transcends ticket price, record label, venue, or profile. Whether I am going to see a deep-underground band playing in a tiny bar, or a legend taking on the ACC, I experience the same moment of unrestrained pleasure when I step out my door wearing heavy boots and carrying earplugs in my pocket.

Natalie Zed reviews Obituary/Entombed/Rumplestiltskin Grinder in Toronto, accompanied with photography by Adam Wills.

Hypocrisy/ Scar Symmetry/ Blackguard @ The Wreckroom, Toronto ON, May 29 2010

It was shortly after 8:00 pm when Hypocrisy made their significant entrance; the excitement in the room was palpable when they strode onto the stage, lit vaguely by dim blue light and partially obscured by theatrical smoke. I can only describe their set as an all-out assault. While the sun might have still been impudently shining outside of the Wreckroom, inside the audience was completely consumed by Hypocrisy’s blistering intensity.

Natalie Zed reviews the May 29th Toronto performance by Hypocrisy, Scar Symmetry and Blackguard. Live photos by Adam Wills

Portal/ Krallice/ Bloody Panda @ Mohawk Place, Buffalo NY May 24, 2010

The energy that Portal projected, both in their music and their sheer physical presence, was overwhelming. Every gesture that The Curator made was impossibly intense. I spent the entire set staring wildly up at the band, certain that any moment something Very Bad was going to happen. They’re masters at wielding this carefully managed sense of dread. Portal is aptly named; when they were on stage, reality felt somehow thinner than it was before.

Natalie Zed reviews the May 24th performance by Portal, Krallice and Bloody Panda at Buffalo, NY’s Mohawk Place. Concert photography by Adam Wills.

Porcupine Tree @ Sound Academy, Toronto, ON, May 8, 2010

Were this simply an auditory barrage (which I am more than familiar with), I might have had more resistance. But it was much more than that. This show was a carefully orchestrated, beautifully curated performance. The video accompaniment interesting and tasteful, and varied enough that I was never able to settle fully into it or anticipate what was coming next…

Natalie Zed reviews the Saturday, May 8th performance by UK prog rock veterans Porcupine Tree at Toronto’s Sound Academy. Concert photography by Adam Wills.

Postcards From Natalie Zed, Part 3

Hellbound readers, we’re sure that by now you are all familiar with our Natalie Zed, right? Natalie was our big grand prize winner back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?

So, without further adieu, here is Natalie’s third installment (reviews #21 – 30 for those keeping stats at home) in what Hellbound likes to refer to as “Postcards From Natalie Zed”…

Týr/ Crimson Shadows/ Bolero @ Sneaky Dee’s, Toronto, ON, April 30, 2010

Everything else fell away, however, when TÝR took the stage. I seemed as though I had handed the band a checklist of everything I hoped to see in their performance, and they generously met every request. They played “Hail to the Hammer,” “Hold The Heathen Hammer High,” and “Sinklars Visa;” Heri and Terji performed shirtless; they took long swigs from a bottle of rum throughout the performance.

Alcest/ Monarque/ Thantifaxath @ Hard Luck Bar, Toronto ON, April 23, 2010

For the first time in a great many shows, I actually sat down during a performance. I sat not because I was bored, not even because I was tired. I sat because the energy it took to operate my legs felt like energy I could be directing towards my ears. I sat on a table top with my eyes closed, rocking back and forth unconsciously, entirely consumed.

Natalie Zed reviews the April 23rd Toronto debut of France’s Alcest. Also sharing the bill were Quebec black metallers Monarque and Thantifaxath.

Ludicra / Krallice / Empyrean Plague @ Rancho Relaxo, Toronto ON, April 14, 2010

I don’t want to in any way cheapen Ludicra’s performance here by saying that they performed “admirably under the circumstances.” They flat-out fucking rocked. They are tough, tenacious, and have a mind-blowing stage presence. Their vocalist, Laurie Sue Shanaman, filled the meagre space with her otherworldly voice.

Natalie Zed reviews the April 14th Toronto performance by Ludicra, Krallice and Empyrean Plague, which took place at Rancho Relaxo

Postcards From Natalie Zed, Part 2

Hellbound readers, remember Natalie Zed? Natalie was our big grand prize winner back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?

So, without further adieu, here is Natalie’s second installment in what Hellbound likes to refer to as “Postcards From Natalie Zed”…

Postcards From Natalie Zed, Part 1

Hellbound readers, please welcome aboard Natalie Zed! Natalie was our big grand prize winner back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?

So, without further adieu, here is Natalie’s first installment in what Hellbound likes to refer to as “Postcards From Natalie Zed”…