Whenever possible, Hellbound tries to get you the scoop on everything new and noteworthy in metal, but sometimes things slip through the cracks. Redemption at the Puritan’s Hand, originally released in April, was one of them. However, this album’s moment has not passed. It looms large, presiding like a revered elder over everything else released in 2011.
The Oracle is a solid, if occasionally jarring album and a terrific next step for All Else Fails.
Disparaging women is a real problem in our society. Ignoring someone who has been given a platform to write that the images and videos of young women, scantily clad with self-tailored metal gear is an irrefutable sign that women in metal do not, and will never be legitimized as true fans, is wrong. As a metal journalist, author and concert photographer, and more importantly a female metal fan for almost 30 years, if we want to generalize even more, that post essentially told me that regardless of the fact that writing about metal and shooting concerts serves as a portion of how I make my living, my work is not relevant because I do not have a penis.
If you were paying attention, you would’ve noticed that TooHighToGetItRight.com went offline last weekend. I don’t know the exact time of death, but I cancelled my hosting plan on Saturday morning before hopping on a bus to Rochester. It was still online when I left, but not when I got back, so there ya go. RIP THTGIR, 2007-2011. That said, you haven’t seen the last of me yet…
With today being the second anniversary of the launch of Hellbound.ca (yay us!), we have decided to do short interviews with the staff of Hellbound so that you the readers can find out more about us and where we come from. Justin M. Norton came up with a bunch of questions, which we will be asking all of our current staff over the next few weeks.
Adrien Begrand was the first writer to sign on with Sean when he decided to start Hellbound, so he is the first one to be interviewed. Here is his interview below. Please enjoy
“Well, it is really one of those funny stories in life which started as a big coincidence. The short version is that, about a year and a half ago we met Mark Tornillo and loved the way he sang. It wasn’t planned out at all. We were not auditioning for a singer or anything. We just happened to meet during a jam session. Peter (Baltes) and I were spending a day just jamming some old riffs. Somebody suggested we call Mark and have him sing along with some old songs. We realized he has a killer voice which was suited perfectly to our old material. The idea to reform was born in that moment. Within about a minute and I half Peter and I just looked at each other and we knew we had to do something.”
Allan Grusie in conversation with ACCEPT guitarist and founding member Wolf Hoffmann about their reformation and the excellent Blood Of The Nations comeback album.
Imagine, if you will – a raw distillation of the best of the Amphetamine Reptile catalogue in its heyday, veering past the outskirts of black metal territory, and fronted by Supergrover, if he had a severe antisocial personality disorder coupled with a propensity to sing through ground-down teeth, in phlegm-clearing snarls, growls and shrieks. Congratulations, you’ve just come close to conjuring up Oslo’s startlingly visionary Årabrot and the sound of their latest blood offering, Revenge.
Most of our lyrics are a reflection of the times and the country we’re living in. I think that the main lyrical concept of the record is the loss of faith in pretty much everything. Politics, religion, media. Playing is a very cathartic experience, so it’s something we’re doing mostly for ourselves. The band is pretty much an outlet for our negative sides.”
Keith Carman interviews Michael Bertoldini of THE SECRET about their new album Solve Et Coagula, the band’s debut album for Southern Lord.
“Next on the docket was Hamilton’s own Deathmarch. For reasons I’m not fully aware of they were without a drummer tonight, getting by with a drum track and Northern Storm Records label head Rob Cranny. By this I mean that Rob sat in the middle of the stage, shirtless with drum sticks in hand, phantom drumming throughout the entire set. Remember what I said about metal being fun?”
Renee Trotier reviews the August 18th performance by DEATHMARCH, ESOTERIC DOCTRINE, HALLOWS DIE and TWILIGHT CHILD at the Corktown Pub in Hamilton ON.
“I have no bone to pick with VOLBEAT at all. Their heavy metal/rockabilly/early rock’n’roll gangster aesthetic is fantastic. They’re greasy, twangy and a hell of a lot of fun to see live. Michael Poulsen embodies their sound: lean, punchy muscles, the lines of his brow and cheekbone just a little haggard from hard living, slicked back, dark hair and covered in old-school tattoos. His voice is surprisingly clean. Volbeat’s set was idiosyncratic and playful.”
Natalie Zed reviews the August 17th Toronto performance by VOLBEAT, THE SLEEPING and DOMMIN at the Mod Club. VOLBEAT live photos by Adam Wills.