Vital and blistering on stage, and with a new album scheduled for February release, Napalm Death laid waste the Rickshaw and Vancouver’s grind-starved crowd.
Natalie Zed reviews the September 22nd performance by Evergrey, Sabaton and Powerglove at Toronto’s Opera House.
“Pausing only to remind the crowd to not take flash photos and to thank people for coming out, the band tore their way through three other songs (including a particularly inspired rendition of “I Will Lay Down My Bones Among The Rocks and Roots”). One of the appeals of a Wolves in the Throne Room performance is their ability to put their music where their mouth is and concentrate solely on creating a wall of atmospheric, ambient noise as opposed to highlighting individual performances.”
Jonathan Smith reviews the September 6th Toronto performance by Wolves In The Throne Room, Thou and more.
“Also hailing from Norway, black metal unit Vreid filled the headlining position and performed what was unquestionably the strongest set of the night. In contrast to the theatricality of the other bands’ appearances, Vreid adopted a simple, almost military look for their style and dress. They performed with much more energy than the other acts and were very much in control of the stage and the audience from the moment they stepped out.”
Natalie Zed reviews the August 25th Toronto performances by VREID, KAMPFAR and NECRONOMICON at the Annex Wreckroom
“Predictably, Toxic Holocaust delivered on the challenge laid down by Inepsy. Their set was a riot — pure, dirty thrash glee. The band are touring to support new album Conjure and Command, an excellent full-length with no pretensions and profoundly catchy songs.”
Natalie Zed reviews the August 21st Toronto performance by TOXIC HOLOCAUST, INEPSY, HOLY GRAIL and KOMMANDO at the Annex Wreckroom. Live photos by Albert Mansour.
“The attention Mares of Thrace have received has not only been deserved, but they’ve carried it with an incredible amount of grace. The doom-lady duo have taken their exposure and used it as motivation to become even better performers. Their sound, even at its most droning, is now more elegant, the explosions of energy more accurate and precise. They have retained an organic roar to the music, especially the immense “General Sherman,” which evokes blood pounding through a body.”
Live concert review by Natalie Zed, Photos by Adam Wills
Renee Trotier reviews the July 22nd show by Torche, Big Business and Helm’s Alee at Buffalo NY’s Mohawk Place.
“Opening with the mighty ‘All Or Nothing’, Cauldron were in fine form as expected, their brand of Banzai-worshipping eighties metal as good live as on tape. Say all you want about Canada and power trios, but damn, Cauldron have it down pat, the three of them playing off each other like old pros, Decay and Chains even getting into vaguely-choreographed guitar mimics at one point.”
Kyle Harcott reviews the April 19th Vancouver performance by CAULDRON, HOLY GRAIL, ENTROPIA & BLACK WIZARD at the Media Club. Concert photography by Ted Reckoning
Jonathan Smith reviews the Feb 26th Toronto performance by Cradle of Filth, Nachtmystium, Daniel Lioneye and Turisas. Live photos by Albert Mansour
“The crowd, still frothing from Baptists’ frantic set, boiled over for Kylesa from the get-go when they opened with “Hollow Severer”. The band was in fine form throughout their set, which was mostly balanced between Static Tensions and Spiral Shadow.”
Kyle Harcott recaps the December 2nd performance by KYLESA, HAGGATHA and BAPTISTS at Vancouver’s Media Club. Live photos by Ted Wilson