King Diamond

Articles, Blasphemy Blog, Blogs, Features, Headline March 5, 2012

Talking Blasphemous Baking With Metalcakes’ Kathy Bejma

There’s something evil baking in the kitchen of Kathy Bejma, a Chi-town native who’s creative to the max with her concept of merging metal with cupcakes. Developed in 2008, Metalcakes is a culinary tribute to her favourite bands, baking with supreme passion whilst listening to the most blasphemous of records. From the simple topping of whipped cream to the intricacy of edible flowers, Bejma’s blog includes a detailed account of each process, sharing her recipes with a global following.

Ola Mazzuca in conversation with Kathy Bejma about her blasphemous cupcake creations.

Featured, Reviews, Reviews - Audio March 11, 2011

Ghost – Opus Eponymous

If you consider Opus Eponymous to be a pop album, you probably think Yes and Genesis are pop bands, too. Erm, wait a minnit. Well, I can’t say I see Ghost going down that route, anyways. After all, it won’t be the 80’s for another 69 years…

Featured, Headline, Reviews, Reviews - Audio January 26, 2011

The Devil’s Blood – The Time of No Time Evermore

What makes The Devil’s Blood successful is its masterful gift for restraint. The band knows how to hold back, painting a partial musical portrait consisting solely of shadows and allowing the listener to infer the details using that most horrifying of artists: the imagination.

Tate Bengston gives us a great review of the latest output from traditional metallers, The Devil’s Blood.

Adam Wills, Articles, Blogs, Featured, Features December 19, 2010

This Week in Metal!

King Diamond and Nergal going under the knife (all of us at Hellbound wish them all the best and a speedy recovery), Metal Film Festivals, Year End lists and more make up “This Week in Metal”, a weekly feature that features what has gone by the past week.

Featured, Reviews, Reviews - Audio March 8, 2010

Six Feet Under – Graveyard Classics III

The concept of the covers album is a risky one. Nothing wrong with slapping one on as a B-side or extra track. But to propose a whole album of covers often begs the question, “What? Have they run out of their own material already?” When you decide to make the cover album an ongoing series, you run the risk of self-parody; Six Feet Under are getting dangerously close to that point with Graveyard Classics III.