Jay H. Gorania

Cephalic Carnage Tour Diary: Part 2

“Late afternoon in Helena, members of several bands embarked on a hike toward some lush, mountainous terrain next to a lake. Granted, a sign did indicate the lake was technically closed, but we drove up the hill quite a distance before getting out to hike. When we finally arrived at the lake, it was beyond satisfying. It wasn’t the most breathtaking body of water by any means, not that it was bad, but compared to the daily atmosphere of a smoky bar with ear-exploding metal music, the serenity offered a welcomed change of pace.”

Jay H. Gorania returns with another installment of his tour diary with Cephalic Carnage. In today’s feature, he discusses Denver businessmen, the landscape (and womanscape) of Salt Lake City, vigilante justice and campfire stories. Enjoy!

Cephalic Carnage Tour Diary: Part 1

“Indeed, while nonsense and debauchery had definitely gone hand-in-hand with the entire Summer Slaughter tour, it wasn’t all fun and games, as some might assume. With a ten-band package, shows were early. Very early. Load in times were normally around one, doors were normally 3-ish. This means that almost immediately after shows were over and odds and ends were sorted, it was time to embark upon the journey to the next town (and the tour’s routing had been far from perfect, to say the least).”

Hellbound’s Jay H. Gorania joined Relapse Records’ Cephalic Carnage for a leg of their North American tour, and gave us an inside scoop on vehicle breakdowns, public change rooms and inter-dimensional contact.

Jucifer: The Hellbound Interview Part 2

“We’ve always known that as an entire band—both live and everything on our albums—we’re asking listeners to have a very open mind, more open than a lot of people are capable of. Depending on what song somebody hears, we could fit so many different categories. So if somebody sees we’re “black metal” and then listens to “Japanese and Lovely,” they’ll think we’re “false metal,” or that the person who called us black is an idiot. Vice versa if somebody’s told we’re indie rock and then, God help them, comes to our show, screaming for the door.”

Part two of Jay H. Gorania’s interview with Amber Valentine of JUCIFER.

Jucifer: The Hellbound Interview Part One

“We wanted an album that we’d be excited to play. As much as we appreciate that people love a song like “Amplifier,” we don’t want to play it. So with Throned… we can finally give fans a set with songs from the current album that we actually get off on playing. Maybe we’ll disappoint some people who like our albums because they’re not so abrasive. But in the end, we have to consider what pleases us. And arguably, the fans that don’t attend our shows are not the ones we should aim to please.”

Part one of Jay H. Gorania in conversation with JUCIFER’s Gazelle Amber Valentine about the release of their new album Thrones In Blood

Maryland Deathfest 2010 Recap Part 1

The great thing about fests like MDF is that the metal is simply overflowing. The bad thing about fests like MDF is that the metal is simply overflowing. If it’s sitting down to catch your breath, or grabbing a drink or a bite to eat, there are plenty of reasons causing one to miss one or too many killer bands.

Hatebreed: Interview With Jamey Jasta

He was the host of Headbangers Ball, he owns a few businesses, and he’s in two successful touring bands. On face value, one might think Jamey Jasta would have little to complain about, and even less angst to vent through hardcore music. But such criticism loses grounding when taking into consideration that he’s “turning negatives into positives,” as he puts it, by attempting to transfer difficult childhood experience, as well as recent tragedy, into song. Calling from Pittsburgh on the second-to-last night of the Decimation of the Nation tour (featuring Chimaira, Winds of Plague, Dying Fetus and Toxic Holocaust), Jamey shoots the shit with Hellbound’s Jay H. Gorania about Hatebreed’s new, self-titled release—easily the most diverse and dynamic output of the band’s career.