Hellbound Metal: “Monster Truck recently had the opportunity to perform at Download 2013 in the UK, one of the bigger UK hard rock/metal fests and they have just released a video of a song from their performance there. Please take a look at our hometown boys playing Furiosity’s lead off track “Old Train” before thousands of UK punters recently.”
In fact, there used to be two categories, Best Hard Rock Performance and Best Metal Performance, before the academy decided to combine the two last year for the first time since 1989. What was so special about ’89? Well…
Overall, Full Pull is a terrific outing for Bullet and their first for Nuclear Blast. While the album contains little in the way of surprises, the songs are strong and catchy with great sing along choruses. Sometimes, that’s all you really need in a record.
I’d recommend the documentary for metal fans who are particularly interested in the origins of the genre and the roots of metal in hard rock. While I think the narrative could have been weighted more evenly, there is some fascinating archival and interview footage in Så Jälva Metal, and seeing the music from a new cultural perspective is refreshing and eye-opening.
The fact that Edguy sound more hard rock than power metal these days shouldn’t be a surprise to anyone who has listened to the band over the last few years. They all have the chops to pull of the experimenting and damn Tobias has a great voice. This is head and shoulders above the last couple of Edguy albums.
By Jason Wellwood First off, the world does NOT need another version of ‘Round and Round’. Yes, this version features The Donnas (who I…
What makes The Devil’s Blood successful is its masterful gift for restraint. The band knows how to hold back, painting a partial musical portrait consisting solely of shadows and allowing the listener to infer the details using that most horrifying of artists: the imagination.
Tate Bengston gives us a great review of the latest output from traditional metallers, The Devil’s Blood.
Picture a buncha hipsters jamming to Kyuss and The Stooges along with Mark Farner and company in a Brooklyn basement, and you’ve basically got the idea.
Even without any accompanying video footage too, Nugent’s Setlist translates incredibly well; culling essential tracks from the extended edition reissues of Free For All and Cat Scratch Fever as well as essential tracks from Intensities In 10 Cities and Double Live Gonzo and Live At The Hammersmith ’79, Setlist assembles a very vivid track list that does conjure the images of a wild-eyed Nugent (check out how “Just What The Doctor Ordered” leads in, and you’ll get it) relishing in the moment – the lights, the attention, the spectacle – and it is the guitarist’s element; he loves every minute.
I’m not a huge fan of bands doing albums in their entirety, but when the album is freaking Moving Pictures, the band is Rush, and it only makes up about a third of the show, how can you say no?
Sean Palmerston recaps the July 13th hometown performance of RUSH at Toronto’s Molson Canadian Amphitheatre as part of their 2010 Time Machine North American tour. Concert photos by Adam Wills.