death metal

Augury: Fragmentary Evidence

Montreal’s Augury is describable as Canadian Progressive Death Metal. This band manages to keep the listener’s interest throughout the whole album delivering fresh melodic tunes on their second full length cd Fragmentary Evidence.

Hammers Of Misfortune, Ludicra, Crux Of Aux, Slaughter Strike @ Casbah, Hamilton ON, August 8, 2009

Truth be told, it has been a pretty shitty summer weather-wise here in Southern Ontario so far. Instead of our usual hot, humid summers it has been the kind where you can count the truly sticky days on one hand. This Saturday was another drab, dreary one here in the Hammer, with rain coming and going all day making for a generally blah day. Thankfully, the evening’s entertainment inside at the Casbah did more than make up for the crappy weather outside. In comparison, the four bands that played the venerable King Street West venue left those in attendance positively steamy.

Sinister: Cross The Styx

Sinister wrote guitar riffs that were choppy and contained that classic old school death metal sound, but the band also could inject the speed to up their attack to an almost grindcore style. Mike Van Mastrigt’s vocals were very low and guttural for that time and I’m sure influenced a lot of the bands soon to follow.

Destroyer 666: Defiance

The blasting, ferocious drumming, growling vocals and classic old school death metal riffs pierced by the occasional tormented lead breaks, all of the sheer violence with thrashing power and a good dose of chaotic melody where needed makes this an essential album.

Classic Album Revisited: The Red in the Sky is Ours

The Red in the Sky is Ours did not depart from the core tenets of the genre, but it did offer a vision of death metal that stood apart from its peers. Based on that singular vision, The Red in the Sky is Ours has not seen its power diminish with the passing of time; hence the reason that it deserves to be celebrated as a “classic.”

Tate Bengston explains why At The Gates’ The Red in the Sky is Ours is Hellbound’s first Classic Album.

Construcdead: Endless Echo

Endless echo contains a brand of energetic, melodic thrash that is just a complete aggressive metal listen; tracks like “No exit,” “My Haven” and “Spiritual shift” are both very fast and very intense. Rage is the best word to describe the reaction I had after listening to this CD. It got me all fired up.

Asphyx: Death… The Brutal Way

The appearance of Asphyx at this year’s Maryland Deathfest was more of a treat than probably many of the young ‘uns realized. After finding this out, I silently cursed my financial status for not allowing me to make the trek, because after one listen to their latest full-length Death….The Brutal Way (out August 19th on Ibex Moon, available for order now from the label’s website) being late on the rent might have been worth it.

Laina Dawes reviews the new comeback album by Dutch death metallers ASPHYX, one of the most anticipated old school death metal albums of 2009.

Behemoth: Evangelion

Poland’s Behemoth have returned with their ninth album in nineteen years, and this time around the band sounds as though they are pushing themselves even further. While Evangelion is still recognizably (and perhaps even predictably) Behemoth, there’s a controlled chaos to the sound that gives things a certain energy.