Immolation – Majesty And Decay
Absolutely one of the best death metal albums this year, Majesty and Decay has set the standard to beat.
Absolutely one of the best death metal albums this year, Majesty and Decay has set the standard to beat.
This is the band’s fourth full length studio album, which is technically a three-year-old release that came out in Brazil in June, 2007, and it brings fifteen tracks packed with early Vader, Carcass and Possessed influences mixed with Dimmu Borgir style vocals (very throaty and rough aggressive roars). Headhunter D.C. is based on killer riffs, fast and angry tracks and Anti-Christian lyrics.
Live review by Ola Mazzuca; Photos by Adam Wills There is a certain magic quality about metal shows; magic in which no matter what…
Forged from the combative live-in-the-studio atmosphere of Kreator’s Pleasure To Kill coupled with the soupy low end of Obituary yet new enough to elicit comparison to fellow evil-doers Behemoth, The Final Conflict is as furious as it is delightfully offensive.
Mr. Death will appeal to old school death metal follows of Dismember, Grave and Entombed and is definitely worth searching out.
Ever hear of The Year Of Our Lord? Kudos if you have, because they were damn good. Some readers might have caught their 1999 EP or the 2002 self-titled release From Willowtip . I hadn’t heard any of their music until recently but I’m glad the Dead To You compilation showed up on my doorstep like an early Christmas present.
What do you get when you mix home-style, hearty cooking with extreme music? Kensington Market’s very own Black Metal Brunch; your weekly serving of bacon, eggs, and a side of Venom’s Welcome To Hell.
Ola Mazzuca’s newest entry into the Blasphemous Blog goes into her love for Toronto’s best Sunday brunch, the long-standing Black Metal Brunch at Graffiti’s in Kensington Market.
While there’s no lack of unbridled aggression and combative, malicious intent, the prevailing aura is one of a band intent on reiterating their adoration for the likes of Deicide, Hate Eternal and a few of the more obvious homeland death metal acts such as Entombed et al.
There’s never much to a Cannibal Corpse show, just five guys who never leave their marks, long, sweaty hair obscuring their faces, churning out that distinct death metal sound they’ve been doing for more than two decades. No frills whatsoever, just pure brutality, and it never fails to floor audiences.
Adrien Begrand recaps the recent Saskatoon stop of the current Hatebreed/Cannibal Corpse co-headline tour that is underway now in North America.
Packed to the gills with live performances, archival clips and documentary footage, Where Death Is Most Alive is an immensely gratifying look back at one of the most consistent bands in all of metal.