FOR THE LOVE OF METAL
I’d recommend the documentary for metal fans who are particularly interested in the origins of the genre and the roots of metal in hard rock. While I think the narrative could have been weighted more evenly, there is some fascinating archival and interview footage in Så Jälva Metal, and seeing the music from a new cultural perspective is refreshing and eye-opening.
By Raymond Westland Paradise Lost is one of the true pioneers of the early UK doom/death metal movement, together with Cathedral, My Dying Bride…
Natalie Zed reviews the February 12th Toronto performance by Lock Up, Goatwhore and Strong Intention. Live photos by Albert Mansour.
Packed to the gills with live performances, archival clips and documentary footage, Where Death Is Most Alive is an immensely gratifying look back at one of the most consistent bands in all of metal.
This massive three-disc compilation gives the listener a sonic taster of all the flowery praise thrown around Daniel Ekeroth’s book and if that listener is a seasoned Sverige-phile, then Swedish Death Metal Compilation acts as a 3+ hour trip down the left hand path of memory lane. It’s all here, the good, bad, ugly, awesome, marginal and downright terrible
The Red in the Sky is Ours did not depart from the core tenets of the genre, but it did offer a vision of death metal that stood apart from its peers. Based on that singular vision, The Red in the Sky is Ours has not seen its power diminish with the passing of time; hence the reason that it deserves to be celebrated as a “classic.”
Tate Bengston explains why At The Gates’ The Red in the Sky is Ours is Hellbound’s first Classic Album.