Saturday, September 25th will make the launch of a very important artifact chronicling the history of the heavy metal music scene in the greater Toronto, Ontario area. On that day, UXB Press will be releasing their newest book, entitled Eve Of Darkness: Toronto Metal in the ’80s. This book is a massive, painstakingly put together tome dedicated to the city’s burgeoning heavy scene during its heyday.
White Wizzard have had a bumpy ride so far, with band members changing regularly, but I hope they can stick together from now on because if Flying Tigers is evidence of anything, it’s that the band are easily capable of producing infinitely more complex material while retaining that traditional 80s sheen that makes them so compelling in the first place.
Could it be that after three decades as metal musician Fischer has found his voice after playing with so many different styles? Eparistera Daimones is not that different from Monotheist, but that’s not a detriment when following an album that revived your career and reputation. Triptykon’s debut is a worthy piece in Fischer’s enigmatic but always provocative musical career.
Time to Burn is stuck shamelessly in 1984: it was a time when melodic heavy metal and hard rock boasted über-slick production and massive, massive hooks, but most importantly, the guitars still retained a metallic bite, unlike the gaudy, thinner sounds of the post-1986 glam metal era. More Spencer Proffer, less Bruce Fairbairn. Simply put, if you grew up with bands like Ratt, Dokken, Kick Axe, and Y&T, you will dig this sucker, without a doubt.