Much as Gentry Densley used jazz in order to elevate hardcore in The Iceburn Collective, so does he use jazz (among other things) in order to plunge doom further into its depths. As The Iceburn Collective cast hardcore in a new light, so does Eagle Twin cast doom in a new darkness.
Norway’s Throne of Katarsis have produced a sophomore full-length album that is, in almost every way, a recreation of much of the early nineties Norwegian black metal sound.
Another year, another Korpiklaani album. Depending on how you feel about these fun-loving Finns, they’re either showing tremendous resilience in putting out six albums in fewer than six years, or they’re continuing to inundate listeners with their repetitive music.
By Melissa Andrews Into Night’s Requiem Infernal is the latest offering from November’s Doom. I loved the band’s previous release The Novella Reservoir so…
For all the hype it received in 2007, Divine Heresy’s debut Bleed the Fifth was a major disappointment. Somewhere along the way, though, band leader Dino Cazares righted the ship, for the follow-up Bringer of Plagues turns out to be one of the more pleasant surprises of the summer.
Adrien Begrand reviews the new sophomore release by Dino Cazares’s new band Divine Heresy and, much to the surprise of many of us over here at Hellbound HQ, he digs it.
Burnt By The Sun has never been one to leave out groove and melody laced with absolutely fury and heaviness in an intelligent way and this continues on Heart of Darkness. As always the groove is driven by Dave Witte on drums, a man of many bands but never short on talent and ability to hold any style of music together. The drums sound huge and really pound out those heavy head banging riffs like Lexington Steele pounding a chick into submission.
Upon first listen, you might think this fifteen track offering is one of the greatest live albums of all time; it’s definitely one of the best to see release this year. This CD is what Death Angel is all about: heavy, thrashy, tight live playing that is highlighted by great guitar work.
Doom purists may be put off by some of the softer more melodic fare on here but I find Ahab’s diversity refreshing and adventurous in what can sometimes be a rather monochromatic genre. Like waves that swell and then recede, Ahab seems to have adopted a similar approach to their song craft and for the most part it works admirably.
Across The Dark is the latest album from Finland’s Insomnium, and it is another entertaining showcase of the accessible and melodic death metal that the band does best.
The vocals are perfect. They always match the music dead on. Unlike most female goth metal, Charlotte Wessels does not sound over dramatic. Her performance grabs the listener and does not let go until the album’s completion. However, this album does not strictly rely on vocals like most female-fronted goth metal acts; it also gives the listener a good dose of instrumental sections as well.