
Sylosis – Monolith
Review by Ola Mazzuca Reading, England technical death metal up-and-comers Sylosis recently toured the US with Lamb of God. And what a fine time it…
Review by Ola Mazzuca Reading, England technical death metal up-and-comers Sylosis recently toured the US with Lamb of God. And what a fine time it…
Death metal is becoming such a saturated genre that a new band may feel the need to stand out by doing something completely off the map. But I feel it’s just as important to simply stand up. Auroch hold their own with solid chops, memorable riffs and killer vocals.
Though they’re named after an opulent area of Hong Kong, this band hails from San Fran, across the Pacific Ocean. And after their self-released debut record generated a bit of a buzz three years back, KWC has signed with Brutal Panda for this, their sophomore release—35 and a half minutes of punishing post-sludge.
By Matt Hinch Old school death metal stalwarts Incantation have been in the game for a long time (in one form or another) proving…
If you dug the direction COC took on their self-titled record—and I did—then this EP should tide you over till the next one.
I can’t say that Finsterforst are totally original, but they make up for any lack of creativity by bringing a contagious passion to a style of metal that has rarely resonated with me in recent years. They make a powerful case for the sheer grandeur of their music, which is pretty significant considering that the band sings mostly about the forest and the abuse of nature.
Korpiklaani are a band of the wild that produce music far from an animal call, but a signature sound that summons fans – those who appreciate progenitors shaping the credibility of a once scoffed metal sub-genre through an innovative tribute to culture.
King Animal isn’t just some pale and passably competent effort designed to take hopeful fans for a few bucks – there is genuine heart in it, and that is what will win both old fans back and new fans to this record.
Broken, beaten, scarred and bloody, Verdonkermaan is the aural equivalent of the worst Hostel/Saw environment imaginable. It’s bleak and cold, devoid of sustaining life and terrifying to its core. For all that, it’s a stunning and unforgettable album.
The 69 Eyes borrow elements from a music library incredibly vast. To say that they supply signature twists and turns would be a bit of a stretch but there’s no denial in their ability to provide us with Goth ‘N’ Roll so melodic and relevant to sometimes crude and wild for the amorous bunch.