FOR THE LOVE OF METAL
The Obsidian Conspiracy had an almost insurmountable expectation being the follow up from TGE and both solo records, which were great. Nevermore fans will be disappointed with this new album however, as the record doesn’t really deviate from the Nevermore formula and some of the songs are just plain stale.
Kingdom of Sorrow: It’s a name that conjures up images of some grizzled warrior-king, his throne coated in ash, his body caked with blood. It evokes both torpor and power. And indeed, the quintet plays a blend of filthy swamp sludge and growling hardcore, courtesy of Crowbar/Down string slinger Kirk Windstein and Hatebreed vocalist Jamey Jasta.
Hellbound.ca scribe Sarah Kitteringham speaks to Jamey Jasta about night terrors, bringing your inner Zeppelin to life and Kingdom of Sorrow’s great new sophomore release.
I have yet to attend a metal show that I am not excited about. It’s an excitement that transcends ticket price, record label, venue, or profile. Whether I am going to see a deep-underground band playing in a tiny bar, or a legend taking on the ACC, I experience the same moment of unrestrained pleasure when I step out my door wearing heavy boots and carrying earplugs in my pocket.
Natalie Zed reviews Obituary/Entombed/Rumplestiltskin Grinder in Toronto, accompanied with photography by Adam Wills.
The Return of the Witch is a solid piece of work. It’s an album that is upfront about what its intentions are.
“But as fans slowly drifted away, they could rest assured these talented and prolific musicians would live to play another day, even if in a different incarnation than the one they saw on stage tonight.”
Cara Cross reviews ISIS on the Vancouver stop of their North American farewell tour.
by Jay H. Gorania Sunday (May 30) As hessian metalheads strolled the streets of downtown Baltimore like zombies on a mission, they weaved in…
After tonight’s show we now know why Dying Fetus deserve to be a bonafide headliner. Holy fuck! What a ferocious machine these guys are live. They have the songs and riffs and you cannot get any tighter than they are right now.
At only 15 minutes long the Witness EP is definitely a teaser, but the three songs show a pleasing attention to old-school songcraft.
Part two of Jay H Gorania’s recap of the 2010 Maryland Deathfest, covering what he saw and heard on the Saturday, May 29th portion of the fest. It includes Incantation, Asphyx, Repulsion, Jucifer and Autopsy
Festival is not far removed from Savatage’s (likely) final album, Poets & Madmen. Inclined to a middling pace, the focus is on weighty, bludgeoning riffs wrapped in grandiosity and drama.