Various Artists – Texas Metal Archives Volume 1
Time and circumstances are not always kind to metal, and this archive is a fantastic look at those who were left behind in the Texas underground metal scene of the 1980’s.
Time and circumstances are not always kind to metal, and this archive is a fantastic look at those who were left behind in the Texas underground metal scene of the 1980’s.
“Everyone roared for “Wardance” too, but Coleman’s conspiratorial microchipping/overpopulation banter between songs seemed lost on the Vancouver crowd just there to hear the old tunes – in fact, the majority present seemed interested in ONLY hearing the old songs. When the band launched into the title track (and other songs from the brilliant new record), the response was lukewarm – nowhere near as raucous as the early-‘80s tracks garnered. This isn’t a surprise in itself, but then again, Killing Joke is hardly a nostalgia novelty act.”
Kyle Harcott reviews the December 14th performance by KILLING JOKE at Vancouver’s Venue. Concert photography by Ted Wilson.
The Acacia Strain have the dubious distinction of being one of the original ‘deathcore’ bands, spawning a whole load of crappy imitations over the years. Thankfully, The Acacia Strain are still head and shoulders above all of their competition and live they really shine. Yes, the editing is quite jarring, but at the same time I think it gives an accurate feeling to being at one of The Acacia Strain’s shows: loud, hectic, and effectively putting the viewer off balance.
“The intense lighting, dominated by greens and purples lancing through the heavy smoke, gave the impression of the underworld crossed with an alien landscape. Their sound was massive and heavy, reverberating straight through me. Shagrath’s vocals were mixed quite low from where I was standing (front and centre), but the intense, symphonic instrumentation more than compensated.”
Natalie Zed absorbs the recent performance from Dimmu Borgir, Enslaved and more at Toronto’s Sound Academy on December 12th. Concert photos by Adam Wills.
What the DVD does is allow the viewer to get to know Gene Hoglan, the drummer and the man. It’s an entertaining watch and I’d recommend it to non-drummers who still have an interest in Gene or Gene’s bands.
Hellbound readers, you know Natalie Zed, right? Natalie was our big grand prize winner way back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?
She’s reviewed all the original CDs and is now reviewing newer things that have made their way to her. Here is part eight of her ongoing series which we like to call “Postcards With Natalie Zed”.
Artep has chosen to focus on a primitive form of symphonic black metal comparable to the first two Dimmu Borgir albums, which it blends with Dark Funeral-styled blasting. The band’s music is every bit as derivative and dull as such a combination might indicate. The only thing that separates Artep from many of its peers is that it commits more than its fair share of missteps as it travels this well-trodden path.
With their latest effort, Earth toys with the idea of heaviness. Angels of Darkness… isn’t an album that pounds and pummels you into submission, but lightly glides on by, taking you along for the ride. This record exudes mellow vibes, so light a candle and close your eyes as it takes you away…
“The crowd, still frothing from Baptists’ frantic set, boiled over for Kylesa from the get-go when they opened with “Hollow Severer”. The band was in fine form throughout their set, which was mostly balanced between Static Tensions and Spiral Shadow.”
Kyle Harcott recaps the December 2nd performance by KYLESA, HAGGATHA and BAPTISTS at Vancouver’s Media Club. Live photos by Ted Wilson
What is the best thing Entombed has done since Wolverine Blues? It’s Seattle, Washington’s Black Breath and their album Heavy Breathing.