FOR THE LOVE OF METAL
One band that has embraced traditional Japanese culture and used it to make something that is both new and exciting is the Osaka based quartet Birushanah. A band that has ties to the always-amazing Corrupted (bassist Sougyo spent some time in that band), Birushanah melds traditional Japanese percussion (done on metal instrumentation) with sludge metal that is similar to early Swans, Neurosis and (fellow Japanese) Zeni Geva
“I can imagine myself at 75 looking like Charlie Watts playing speed metal,” says Slayer drummer Dave Lombardo. “I’m OK with that. I don’t know about the other guys. I’ll keep playing, though, and as long as Slayer needs me, I’ll be here. Whatever they wanna do.”
Keith Carman speaks to Slayer drummer Dave Lombardo about their new upcoming album, World Painted Blood, and what the future holds for the legendary Southern California metal band.
Back in the day, the pounding, clanging and grinding sounds of Birmingham, England’s ubiquitous industrial work provided a great wealth of inspiration for the thunderous sounds of metal’s forefathers in Black Sabbath and Judas Priest. Similarly, having grown up in the southwest of France in Bayonne, the members of Gojira are very familiar with the undeniable power of the Atlantic Ocean’s waves, and they’ve sought to emulate that power in a musical format. And with success, their dynamic and grooving, Morbid Angel-esque pummeling rises like a climbing wave before climatically crashing down.
Having just announced new fall tour dates supporting Metallica in the USA, Jay Gorania speaks to Joe Duplantier about life,death and metal.
“It’s Judas Priest, man. Judas-effing-Priest!” And really, that’s just about all that needs to be said. That name, it’s a ritual, a mating call, a summons to arms, a bonding focal point. When you hear a bunch of yahoos yelling out “Slaaaaayeeeeerrrrrr!” you know the chances are very good that a Slayer show has just let out nearby. But when you hear “Judas-effing-Priest, man!” regardless of the setting, there’s no doubt that metal is about.
Hellbound speaks to bassist Ian Hill about this summer’s British Steel anniversary tour, stopping in Toronto this Thursday.
Happy birthday, Cripple Bastards! My how you’ve grown. No, really. To the untrained ear, the 20-year-long list of releases that Asti, Italy’s long-standing provocative grindcore institution have comprising their discography may sound like short burst of noise after short burst of noise – and we’d be lying if we said everything that has followed since the day one Guilio “The Bastard” Baldizzone organized a rehearsal on the top floor of an abandoned factory with his fellow extreme music obsessed chum, Alberto The Crippler, has been top-of-the-line, especially some of those early cassette only releases – but, being able to maintain a stable line-up over the last few years has definitely helped the band progress towards pummelling grindcore efficiency.
Zen Buddhism has always played a central role in Scheidt’s songwriting for YOB, especially on the two previous albums, 2004’s The Illusion of Motion and 2005’s great The Unreal Never Lived, but on The Great Cessation a considerably more blunt approach, which often seems to border on despair and even anger, permeates such tracks as “Burning the Altar” and “Breathing From the Shallows”.
Find out what HELLBOUND’s contributors are listening to going into the month of July. Each writer has submitted their Top 5 list and have an option to list a book and a film they are into right now too. We also have 3 special guest lists from members of the music industry that we like and that have supported HELLBOUND in some way.
With July 1st being our nation’s official birthday here in Canada, we thought we’d try to do something to pay honour to the many great bands and albums in the metal realm that our ten provinces and three territories have given birth to. We asked Hellbound’s regular contributors to write a paragraph or two about their favourite Canadian metal album of all time, the results of which follow below. All of the albums mentioned are indeed worthy of the nod and worth checking out if you have never heard them before.
Until The Light Takes Us is the upcoming documentary examining the Norwegian Black Metal scene including the church burnings and the murder of Oystein Aarseth/Euronymous.
Despite the fact that symphonic metal has become a very popular metal subgenre over the last decade or so, and although it’s become commonplace for metal bands to employ full orchestras on their studio albums, it’s not every day that a band is afforded the opportunity to perform live with a full orchestra behind them. So when Epica had a chance to stage a full-blown extravaganza in Miskolc, Hungary, of all places, needless to say the Dutch symphonic sextet jumped at the offer.