In the second part of our interview with Sacrifice, the band discusses the Soldiers of Misfortune album, recording at Phase One Studios, their stance on bootlegs recordings, their upcoming live concert DVD (!!!) and more.
On Sunday, November 15th Hellbound Radio played host to some special guests when the entire line up of the recently re-activated Sacrifice graced us with their presence. The legendary Toronto thrashers came down the QEW to Hamilton and hung with us in the Indi 101 studios, so we in turn dedicated the entire three hour show to the band’s career. And we filmed it too! Here is the first segment of interview footage from the show, with more to be released in the days to come.
Find out what HELLBOUND’s contributors are listening to going into the month of November. Each writer has submitted their Top 5 list and have an option to list a book and a film they are into right now too.
Originally released in 1989 by a Mexican based label called Avenzada Metalica, this eight-song effort is an absolute face-ripper that will appeal greatly to fans of Dark Angel, Kreator and especially late 80s Razor. The songs are well written, the riffs are lightning fast and they possessed a vocalist in singer Pat Lind that could have easily subbed in for Mille in Kreator if the need ever would have arisen.
With the recent release of their fourth studio album Here Waits Thy Doom early last month on Century Media, Vancouver’s true metal combo 3 Inches Of Blood have finally made the album many of us have been waiting for with baited breath. With the departure of second vocalist Jamie Hooper after the release of their previous album(2007’s Fire Up The Blades), a lot of the modern metal-core sentiments found in their music were dropped. The results of having Cam Pipes as the group’s main singer has brought his King Diamond-like vocals to the forefront – and pushed the band much more into a traditional metal sound that feels even more eighties inspired than anything they had ever done before.
Find out what HELLBOUND’s contributors are listening to going into the month of October. Each writer has submitted their Top 5 list and have an option to list a book and a film they are into right now too.
In terms of metal fests, you’ve got your Milwaukees, your Maryland Deathfests, your Wackens, your Holes in the Sky, Dudefests, Hellfests, and so on—all of them well out of range of western Canadians. Thankfully, a new metallic mecca has sprung up in Alberta, at Calgary’s Noctis Festival. The third gathering (full title: Noctis III: Tritagonist) featured two days’ worth of gigs and a full-blown conference peppered with esteemed guests and international acts brought in exclusively for the event. The concert lineup, which included Slough Feg, Novembers Doom, Aura Noir, Destroyer 666, Suffocation and Cynic, was more than impressive enough to get me onto a WestJet flight from Vancouver to witness the carnage in Cowtown.
Rob Hughes gives a fascinating overview of last weekend’s Noctis III Metal Music Conference in Calgary, Alberta.
The decision to create film and music videos for extreme underground metal bands was not exactly a conscious decision, but something that came to Hall organically. A fascination with the music, artistic innovativeness and raw talent (and the balls to contact and eventually build a professional and personal relationship with Today is the Day’s notoriously difficult frontman, Steve Austin) led Hall and Handshake Inc. co-founder, filmmaker/ photographer David Cardoso, to create a company that in a relatively short time, has made some of the most innovative metal music videos and films the metal industry has seen in years.
Laina Dawes interviews London, ON based filmmaker David Hall about his work with Today is The Day, making metal music videos and their work-in-progress documentary on the Maryland Death Fest.
He was the host of Headbangers Ball, he owns a few businesses, and he’s in two successful touring bands. On face value, one might think Jamey Jasta would have little to complain about, and even less angst to vent through hardcore music. But such criticism loses grounding when taking into consideration that he’s “turning negatives into positives,” as he puts it, by attempting to transfer difficult childhood experience, as well as recent tragedy, into song. Calling from Pittsburgh on the second-to-last night of the Decimation of the Nation tour (featuring Chimaira, Winds of Plague, Dying Fetus and Toxic Holocaust), Jamey shoots the shit with Hellbound’s Jay H. Gorania about Hatebreed’s new, self-titled release—easily the most diverse and dynamic output of the band’s career.
All photos by Adam Wills. All photos are the property of Adam Wills and Hellbound.ca – do not copy without written consent.