FOR THE LOVE OF METAL
“I wondered though, if anyone else was visibly shocked when (Page) Hamilton entered the stage. He was not only thin, he was gaunt. If it wasn’t for his deft guitar playing and strong, clear and commanding voice, I would have expected him to crumple onto the floor at any second.”
Laina Dawes caught up with Helmet and Intronaut at their Toronto stop at Lee’s Palace on October 17th.
“Visually the band’s performance style is understated, but the smaller venue allowed them to overwhelm the space. Alongside the expected Triptykon material, sounding much like it does on record, the set list was Celtic Frost-heavy, songs like “Procreation (of the Wicked)” snarled out with vicious intensity.”
Laura Wiebe reviews the recent Toronto performance of Triptykon, who were joined by 1349, Yakuza and Sylvus.
It takes a certain breed to travel roughly 600 miles, round trip, by Greyhound bus only to spend a total of 18 hours at the destination–a third of which was spent sleeping. But given the right motivation, I have done so on occasion and will do so again. Last nite, the occasion was the nearest stop on Accept’s North American reunion tour, in support of their new album, Blood of the Nations.
“Raven hit the stage like an atom bomb about 9:30 and proceeded to remind the crowd that, even 35 years into their career, trial and tragedy besides, they still bring the athletic rock like nobody’s business. When I stopped to remind myself that Raven, alongside perhaps only Motörhead, pretty much invented the genre that became known as speed metal, and later thrash, this was special to see indeed.”
Kyle Harcott reviews the recent Vancouver appearance of legendary metallers, RAVEN.
“It wasn’t the most cutting-edge collection of bands, but with a media pass easy to secure and nothing better to do on a Thursday night, why not head out to the Rockstar Uproar Festival? With an open mind, a perpetual caffeine buzz thanks to that drink they keep flogging, and no ticket buyer’s remorse, who knows what pleasant surprises one might come across? ”
Hellbound’s Adrien Begrand visited Saskatoon’s Rockstar Uproar festival, featuring Disturbed, Avenged Sevenfold, Stone Sour, Hellyeah and more…
“Arriving at the Opera House a little late (missing Unleash the Archers for the TIFF presentation of Takashi Miike’s 13 Assassins) we walked into a friendly greeting from Leaves’ Eyes growler Alex Krull. That second or two was characteristic of the relaxed and intimate vibe that held for the rest of the night. With Kamelot off the line-up, the Leaves’ Eyes / Blackguard billing drew a smaller crowd, making it easy to get close to the stage and giving the in-between-song banter a more conversational tone. The casual atmosphere made me a little more forgiving of the often muddy mix for all three bands that blurred some of what, on record, comes across fairly clean and precise.”
“Raven stormed the stage last, serving as both main course and dessert for this particular metal buffet. It was fascinating to watch this legendary NWOBHM band perform after Cauldron and Skullfist had already worked the audience over. The only word to appropriately describe the experience is “educational.” This is the aesthetic that the younger bands are going for; this is the original template they’re paying homage to.”
Natalie Zed shares her evening with original and modern classic heavy metallers, Skullfist, Cauldron, and the legendary Raven. Photos by Albert Mansour.
“Vocalist Jonas Renkse is at once physically imposing and intensely vulnerable. He cradles the mic in his hands almost pleadingly, offering his voice to the audience. I found him completely mesmerizing. It was also a great joy to watch Anders Nystrom perform in person. He’s a wiry-framed and incredibly intense musician, his sinews as tautly drawn as guitar strings, fully embodying his instrument.”
Natalie Zed documents an evening of rather emotional music (in all directions) as Katatonia, Orphaned Land and Swallow the Sun recently invaded Toronto.
“During this performance, they behaved as though the stage was land they wanted to annex; they walked on as though their performance was an outright invasion. The crowd responded accordingly. While the vibe in the room had gradually ratcheted up from “polite and well-behaved” to “cheerfully aggressive” during the previous three sets, when Nachtmystium played, the crowd finally smelled blood.”
Natalie Zed reviews the Toronto visit from Nachtmystium, with support from Zoroaster, Dark Castle and The Atlas Moth. Photos by Albert Mansour
Review by Natalie Zed By now, you’re used to me attaching caveats to my reviews. I am profoundly aware that circumstances have a significant…