Featured

The Legion: A Bliss To Suffer

The third offering from Sweden’s The Legion, A Bliss To Suffer doesn’t wait to try and crush its listeners. Even with a sprinkling of instrumental spots here and an added sound effect there, the core black/death elements emerge from the beginning of opening track “Shining Redemption” and remain more or less consistent throughout the album as a whole.

Leif Edling: Songs of Torment, Songs of Joy

A quick historical run down here: Leif Edling began his musical career in the Stockholm, Sweden based hard rock act Trilogy in the late 70s where he worked alongside drummer Håkan “Ian” Haugland, later of Europe. In 1985, Leif launched his groundbreaking doom metal band Candlemass who became well-known worldwide for its fresh pioneering sound

Woods Of Ypres, Elevator 22, Will of the Ancients, Musk Ox, Seras @ Club Absinthe, Hamilton, ON (2nd review)

With a Napalm Death concert happening nearby in Toronto on the same night, GTA concert goers were somewhat spoiled for choice on May 15th. Within that context, the crowd that came out to see Woods of Ypres’ debut Hamilton performance on May 15th was relatively small but dedicated to the Canadian group’s unique brand of black- and folk- inflicted metal.

Serpent Throne: The Battle Of Old Crow

These guys bring the rock and announce themselves with killer riffs and well placed guitar solos. Tracks like “Snakecharmer” and “Rock Formation” are calibrated for maximum epic impact, true journeys in heaviness that end up on the mountaintop where rock gods dwell and mystic visions abound.

Suffocation: Blood Oath

New York State’s Suffocation don’t waste any time on their latest release, Blood Oath. From the moment it bursts out of the starting gate, the album lumbers along with the death metal/ grindcore sound that has become a trademark of the band.

Amesoeurs: Amesoeurs

Amesoeurs claims that it grapples with the modern world in its music. On the preceding EP, this was a persuasive assertion. If Amesoeurs still chooses to hold itself up as a sonic social critic, then this album can only be taken as criticism if it is approached as parody.