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CAULDRON / HOLY GRAIL / ENTROPIA / BLACK WIZARD @ The Media Club, Vancouver BC, April 19, 2011

“Opening with the mighty ‘All Or Nothing’, Cauldron were in fine form as expected, their brand of Banzai-worshipping eighties metal as good live as on tape. Say all you want about Canada and power trios, but damn, Cauldron have it down pat, the three of them playing off each other like old pros, Decay and Chains even getting into vaguely-choreographed guitar mimics at one point.”

Kyle Harcott reviews the April 19th Vancouver performance by CAULDRON, HOLY GRAIL, ENTROPIA & BLACK WIZARD at the Media Club. Concert photography by Ted Reckoning

Shibboleth – S/T

In Sam Dunn’s debut documentary, Metal: A Headbanger’s Journey, the anthropologist describes his hometown of Victoria, British Columbia as the land of the “newly wed and nearly dead”, an anecdote that resonates with the city’s primitive black metal practitioners Shibboleth.

Accept: Just as good the second time around (if not better)!

When I went down to Cleveland last October to see Accept, I did so on the assumption that it would be my only chance to catch the reunited lineup in action. After all, they were never as big in North America as they were across the pond, so I didn’t think that a more extensive N.A. tour was in order. I’m glad I was wrong. While I had a good idea what to expect going into Wednesday’s gig at the Mod Club, I’m happy to say the Teutonic Terror exceeded expectations.

Sepultura / Belphegor / Hate / Keep of Kalessin / Neuraxis @ The Opera House, Toronto ON, April 18th 2011

Sepultura as they exist today have incredible muscle and power, at the expense of some of their subtlety. Their music now has less of an eerie quality, gets under the skin less. Instead, it wants to tear you apart. The experience of seeing them live was thrilling and exhausting, but left a ghost behind, alittle bit of longing for the sound of a jungle breathing on the back of your neck.

Natalie Zed discusses the recent visit to Toronto from legendary Brazilians Sepultura. Accompanied by photos from Adam Wills.

Into My Hypercube: An Interview With TesseracT

“Now, although we are all collectively really into popular science, cosmology and physics, none of us (except maybe James [Monteith, guitar] who has a MSC in Engineering) are smart enough to really get a grip upon the mathematics behind such things as string theory, holographic and multi-dimensional reality. So, the truth is Acle saw a movie called Cube2: Hypercube – and well TesseracT is a far better name than Hypercube, isn’t it? Fuck I couldn’t live with myself if I was in a band called Hypercube…”

Adrien Begrand interviews Jay Postones and Amos Williams of UK progressive metal band TesseracT

SepticFlesh – The Great Mass

The Great Mass doesn’t stay with me long after the final track, “Therianthropy,” dies away, but in the moment each song offers to be deliciously, mind-numbingly immersive, and I’m quite willing to let myself drown in the experience.

Graveyard – Hisingen Blues

Song after maleficent song, Hisingen Blues is an infectious monster of retro-styled, devil-take-my-soul blues fury that has left me wondering why I never sought these guys out before, and wondering how long before everyone else finally picks up on them. If they were obscure before, they’re not going to be much longer.