FOR THE LOVE OF METAL
“I am not sure I have ever been to a show, barring Iron Maiden, where more members of the audience were wearing the headlining band’s shirts. There were Kalmah logos as far as the eye could see, and as soon as the lights went down, the crowd went bonkers.”
Natalie Zed reviews the Toronto stop by Kalmah, supported by Warcall, Woods of Ypres and Bolero.
Adam Wills recently shot the February 26th show by Motörhead, Clutch and Valient Thorr at the Kool Haus in Toronto Ontario. Here is a gallery of photos
Back by popular demand, here are the Staff Playlists for February 2011!
“Kylesa have many weapons: a percussion section with a kick like a neutron bomb; thick and lovely guitar tones; a pair of excellent vocalists in Philip Cope and Laura Pleasants; licorice-dark bass work; keyboards; and even a damn theremin.”
Hellbound’s Natalie Zed reviews the recent Toronto visit from KYLESA, supported by ROSETTA and FIGHT AMP.
By Keith Carman Almost eight years into their career, Milwaukee-based quartet Cause For Revelation finally issue a debut full-length in Resurrecting The Hostility. Taking…
By Gruesome Greg The early 70’s were the golden years of heavy rock, with bands banging out loud, bluesy, psychedelic jams with the support…
By Ola Mazzuca “No God, No Satan” could be another way of saying “No Pain, No Gain”, right? I mean, if you really put it…
By Jason Wellwood First off, the world does NOT need another version of ‘Round and Round’. Yes, this version features The Donnas (who I…
What makes The Devil’s Blood successful is its masterful gift for restraint. The band knows how to hold back, painting a partial musical portrait consisting solely of shadows and allowing the listener to infer the details using that most horrifying of artists: the imagination.
Tate Bengston gives us a great review of the latest output from traditional metallers, The Devil’s Blood.
By Gruesome Greg Sonic Medusa is a brand-new quartet of heavy rock veterans like Greg Rogers of The Obsessed and Tom Five, who played…