Well holy shit, it’s a Hellbound Radio playlist! Well, there actually hasn’t been a playlist for a while, as it has been nearly a month since we have done the show live. Never fear however, faithful listeners/followers, for Hellbound Radio returned on Sunday night with a show jam packed full of new releases.

Hellbound Metal: “Uplifting post-sludge!? I think I just coined a new sub-genre…”

Dragged Down a Dead End Path does exactly as the title suggests. Call of the Void drags the listener, kicking and screaming, toward a gruesome end in a shallow, lonely grave they had to dig themselves.

If this is any indication of what is to come, I think that their return couldn’t have come at a better time. I can’t wait to hear the rest of what Convulse circa 2013 is capable of.

“(Human) embodies much of metal’s concern for and obsession with material questions of existence. It remains special partly because of its historical importance for extreme metal, but also because it stands out as a prime example (out of many) that it is very possible to merge anger and aggression in extreme metal with a compassionate search for answers to social and philosophical questions.”

A revisitation and re-evaluation of the classic DEATH album Human by Jonathan Smith

As promised last week, here are the Top 10 metal albums of 2012 according to the writers of Hellbound.ca. You will notice that, in comparison to our previously published Top 10 Canadian albums of 2012 list, a few Canadian artists actually ended up charting higher here than on the Canuck top 10. The reason for this is simply because we had more writers submit top 10 lists here than did for the Canadian list.

Collected, compiled and edited by Sean Palmerston

Embers and Revelations draws from a thoroughly Luciferian lexicon, and is a magnificent deluge of ungodliness. Weapon prove, once again, that an abundance of sinister creativity can be dredged from the quagmire of blackened death and masterfully butchered upon the altar.

Right off the bat, you can tell this is one heavy vegetable; slow, punishing doomy riffs with deep-throated death metal growls. Winter is a definite reference here, albeit this record sounds thicker and sludgier, presumably because it wasn’t recorded in a basement.