“I’ve been looking forward to enjoying another love set by UnexpecT since I saw them play at Sneaky Dee’s last year, and they delivered on all of my very high expectations. The experimental French Canadian band are the very embodiment of an avant-garde aesthetic combined with a dauntless independent spirit.”

Live review by Natalie Zed.

However controversial and dark, Mayhem is still incredibly important aesthetically and culturally. It’s also relatively rare the the band successfully crosses borders, making this a rare Canadian appearance.

For all the impeccable skill, speed and flourish there was nothing hook-y or spellbinding about the performance. This was an incredibly safe show that felt more like a press conference combined with a a technical exercise — less about showmanship and more about showing off.

Five Serpent’s Teeth proves that Evile are also growing, in terms of skill and aesthetics. The album is faster and more precise; the band members are surer of their choices and influences; and their sound is more original and independent.

“There’s no doubt in my mind that when I look back on 2011, this show will stand out as one of my top concerts of the year. It was incredibly well curated and all the artists on the bill enhanced and challenged one another. I was initially disappointed that Ghost couldn’t make this show due to visa issues, and wondered how the substitution would affect the line-up. As it turns out, it was a non-issue. The flow of the performance, the tension and build, was lovely and perfectly balanced — definitely one of the best tours to come through Toronto in a while.”

Natalie Zed reviews the Sept 30th performance by Enslaved, Alcest and Junius. Concert photography by Adam Wills

Natalie Zed reviews the September 22nd performance by Evergrey, Sabaton and Powerglove at Toronto’s Opera House.

“When headliners Weedeater began to play, I was immediately struck by how much effort they put into differentiating their sound from every other group on the bill. Their tone was harsh, ugly, abrasive and super-filthy, the guitars and bass drenched in feedback. Vocalist Dixie Dave Collins matched this perfectly, sounding like he’d been gargling with hot rocks and thumbtacks. Their songs are generally on the short side, and this translated into blasts of super-distorted guitar that washed over you like waves of shrapnel.”

Natalie Zed reviews the September 13th Toronto performance by Weedeater, Saviours, Bison B.C. and Fight Amp at Lee’s Palace. Live photography by Laina Dawes.

All Pens Blazing writer Neil Daniels in conversation with Hellbound’s Natalie Zed