Articles tagged with: Natalie Zed
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This feels very much like a concept album or an experiment, which is certainly not a criticism. Fans of their previous work may be surprised by this direction, but for its flaws Kata Ton Daimona Eaytoy is not an unwelcome edition to Rotting Christ’s discography. In fact, it in fascinating to see them incorporate elements of the religious structures and culture that they have built a career out of rebelling against.
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As promised last week, here are the Top 10 metal albums of 2012 according to the writers of Hellbound.ca. You will notice that, in comparison to our previously published Top 10 Canadian albums of 2012 list, a few Canadian artists actually ended up charting higher here than on the Canuck top 10. The reason for this is simply because we had more writers submit top 10 lists here than did for the Canadian list.
Collected, compiled and edited by Sean Palmerston
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Since Hellbound.ca is a Canadian-owned and operated metal publication, we do things a little bit different than most. While 2012 was coming to a close we asked all of our contributors to pick their Top Canadian metal albums of the year. We then tabulated up their responses and have created our fourth annual Top 10 Canadian Metal Albums writers poll.
Please check out what our writers feel to be the best Canadian metal albums released in 2012.
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By Natalie Zed
September marks the beginning of an extraordinary concert season in Toronto. Throughout the fall and winter, this city is being treated to an incredible run of shows, when we’re already spoiled for choice during the leanest time. In many ways, this particular show, featuring the spectacular lineup of Kreator, Accept and Swallow the Sun, felt like the kickoff show to a stellar heavy metal concert season.
I walked into the Phoenix about halfway through Swallow the Sun’s brief set, much to my disappointment – I’d been warned that they …
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Natalie Zed reviews the June 21st Toronto performance by Corrosion of Conformity, Torche, Black Cobra and Gaza at the Opera House. Live photos by Albert Mansour
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By Natalie Zed
Every once in a while there is a concert line-up that makes you do a double take. The bands are so perfect for each other and the show so expertly curated that you almost can’t believe that it is going to happen. This line-up was exactly that almost-too-good-to-be-true show: three excellent bands with complementary aesthetics, all of whom I’ve been following for a while and actively looking forward to seeing live. My expectations for this show were astronomically high, but the stellar performances the crowd at the Hard …




