Sure, I listened to all the metal gods growing up: Maiden, Priest, Sabbath, etc; but there was another band I had an obsessive appreciation for, one that didn’t belong on so lofty a pedestal–yet I put them right up there.
That band was Teutonic metal pioneers Accept.

Now, with all that praise for Judas Priest’s Setlist on the proverbial books, it doesn’t need to be questioned why – with six live albums already in circulation, does a compilation need to exist? In Judas Priest’s case, their entry into the Setlist series marks a fantastic proof of the band’s faculties as a love act. The band proves that they have never dramatically changed or experienced a decline in the thirty-year span of time that this record offers glimpses into. That, in a word, is unbelievable.

“We all thought that we’d be able to do [Black Sabbath] for two or three years and then go get proper jobs. I mean, that is what bands did back then. That is what we thought would happen with Black Sabbath. We were lucky to do a second album, we were hoping that it would do well and then eventually we’d disappear. Nobody ever dreamt that any band would last this long, still being popular some forty years later.”

Sean Palmerston in conversation with Black Sabbath bassist and founding member Geezer Butler for Hellbound.ca

Lucky number seven! The seventh installment of the Hellbound Handshake Clip Of The Week is a doozy! Pentagram playing “Forever My Queen” at Maryland Deathfest VIII

How significant a release is Manilla Road’s After Midnight Live? Imagine if Judas Priest or Iron Maiden suddenly went, “Whoops, look what we found lying around, a live recording from the early days featuring songs none of our fans have ever heard before.”

San Francisco’s Hammers of Misfortune have recently signed to Metal Blade, and as a result, the label has reissued their entire back catalogue in hopes that it will get the due recognition it missed the first time around. With no expectation and no foreknowledge of the band, I tossed myself in at the deep end to review these four reissues and wound up discovering something completely fresh.

Kyle Harcott reviews the new Metal Blade reissues of the Hammers Of Misfortune back catalogue.

Helstar could have been a much bigger band if the songs had just been a bit stronger. Rising From The Grave is an enjoyable listen though and it’s easy to get carried away in Rivera and company’s enthusiasm and skill.

“I’ve done it all, I’ve been it all, I’ve seen it all – these are like the bonus rounds as far as the opportunities go. Personally, I’m having the time of my life right now just doing what I really want to do. That’s a nice feeling, and having all the fans supporting Priest and the other endeavors – it’s just tremendously gratifying that you can still go out and do what you want to do more than anything else in the world and that’s write metal and play metal live.”

On the eve of their appearance at this weekend’s HEAVY MTL festival Rob Halford speaks to Hellbound.ca’s Bill Adams about the return of his solo band Halford and their plans for the remainder of 2010.