Not without the requisite controversy among the black-metal community, once again it appears Darkthrone is determined to carve their name in the big stone book of metal/punk crossover, as another of those rare-treat bands who can appeal to both the ‘airies and the baldies at the same time. There’s just that matter of their tr00-kvlt fans having a hard time with them putting out anything that doesn’t sound once more like Ravishing Grimness.

KREATOR, of course, positively destroyed The Opera House. “Hordes of Chaos” raised the energy level in the room to near-riot level early on, and “Enemy of God” and “Extreme Aggression” kept it there. Whatever chilliness I’d initially felt evaporated almost immediately, and there was rarely a moment when my fist wasn’t in the air and my neck muscles weren’t burning.

Natalie Zed reviews the recent Toronto stop of the Kreator, Voivod, Nachtmystium tour, which happened Tuesday night at the Opera House.

While it’s questionable whether the band haven’t left behind one set of stereotypes only to embrace another, what isn’t questionable is that Imperium Dekadenz have produced an awesome album that is one of the best that the black metal genre has to offer so far this year.

Hellbound readers, please welcome aboard Natalie Zed! Natalie was our big grand prize winner back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?

So, without further adieu, here is Natalie’s first installment in what Hellbound likes to refer to as “Postcards From Natalie Zed”…

Germany’s Semen Datura have returned with their latest full-length album Einsamkeit. It’s an eclectic archive of black metal-influenced noise that isn’t afraid to go in some unexpected directions. With the band avoiding familiar pagan or satanic imagery in favour of pursuing the “intellectual aspect” of “this art” (as stated in the liner notes), Einsamkeit opts for more minimalist and bleaker pictures of isolation amidst crushing metallic vibes.

By Navjot Kaur
Venturing into the turbulent realm of Celtic meets traditional black metal (streaked with essential melody) is Primordial. None too surprising, as the group’s re-released debut album, Imrama, translates roughly into “voyage” or “rowings about.” In a country like Ireland, where English has become the mainstream language, the band asserts its roots by sticking to Irish lyrics, a steely individualism that is equally palpable in the music they’ve continued to churn out for the last 23 years. Steering into the present, the band put out a twelve-track re-release of …

However unsettling his crimes, however indefensible his comments and views, Varg Vikernes is one of the most creative forces in Norwegian black metal and Belus ample proof of his talent.

Azimuths to the Otherworld is an album that demands to be taken in from start to finish. It asks the listener to engage with its many atmospheric layers as they appear.