“Kylesa have many weapons: a percussion section with a kick like a neutron bomb; thick and lovely guitar tones; a pair of excellent vocalists in Philip Cope and Laura Pleasants; licorice-dark bass work; keyboards; and even a damn theremin.”

Hellbound’s Natalie Zed reviews the recent Toronto visit from KYLESA, supported by ROSETTA and FIGHT AMP.

“The stage is cast in smoke and shadow. Spotlights scale black tapestries depicting nature’ s creatures: wolf, owl, crane. At centre stage is an altar holding candles and a human skull, hemmed in by trimmings from an aromatic pine. Behind it is the drummer, bathed in a warm yellow light. The silhouettes of two guitarists flank the stage, eerie streams of blue light emanating from their instruments.”

Cara Cross reviews the recent Victoria performance of Wolves in the Throne Room.

“Nathan Weaver began by briefly thanking the crowd for coming and admonishing them to please refrain from flash photography, and also from moshing – something the majority in attendance seemed to appreciate. This band and all their trappings are an experience in the live setting, and the mood the stage sets seems as important and intricate as the music – taking your eyes off of them to smash into each other seems to miss the point – or maybe they just think moshing is stupid.”

Kyle Harcott caught the recent performance from Wolves in the Throne Room at their Vancouver, BC stop.

There aren’t many bands around here with the talent SJL has and with everyone splitting off and pursing new projects maybe some new great bands will rise from the ashes but there won’t be a better tech jazz band around here for years to come.

“Everyone roared for “Wardance” too, but Coleman’s conspiratorial microchipping/overpopulation banter between songs seemed lost on the Vancouver crowd just there to hear the old tunes – in fact, the majority present seemed interested in ONLY hearing the old songs. When the band launched into the title track (and other songs from the brilliant new record), the response was lukewarm – nowhere near as raucous as the early-‘80s tracks garnered. This isn’t a surprise in itself, but then again, Killing Joke is hardly a nostalgia novelty act.”

Kyle Harcott reviews the December 14th performance by KILLING JOKE at Vancouver’s Venue. Concert photography by Ted Wilson.

“The intense lighting, dominated by greens and purples lancing through the heavy smoke, gave the impression of the underworld crossed with an alien landscape. Their sound was massive and heavy, reverberating straight through me. Shagrath’s vocals were mixed quite low from where I was standing (front and centre), but the intense, symphonic instrumentation more than compensated.”

Natalie Zed absorbs the recent performance from Dimmu Borgir, Enslaved and more at Toronto’s Sound Academy on December 12th. Concert photos by Adam Wills.

“The crowd, still frothing from Baptists’ frantic set, boiled over for Kylesa from the get-go when they opened with “Hollow Severer”. The band was in fine form throughout their set, which was mostly balanced between Static Tensions and Spiral Shadow.”

Kyle Harcott recaps the December 2nd performance by KYLESA, HAGGATHA and BAPTISTS at Vancouver’s Media Club. Live photos by Ted Wilson

“With Watain, there is no division between style and substance. Far from invoking the more alienating or shoe-gazing aspects of black metal, they invited the audience into their circle with their high-energy antics. They are, at their core, rock and roll at its extreme margins — noisy, nasty, problematic, maybe even unpredictable.”

Jonathan Smith reviews the December 4th Toronto performance by WATAIN, GOATWHORE and BLACK ANVIL at the Opera House.