Mares of Thrace played last on the bill, and brought the night to a thunderous close. I am profoundly interested in the aesthetics of constraint and the way art can be produced by limitation. Mares of Thrace plug directly into this particular obsession. Consisting only of vocals, baritone guitar and drums, this two-woman force of nature produce a wall of sound: intense and varied, deep and resonant, pulsating and urgent, and shockingly complex.

“Just as my energy level was reaching a crisis point, the audience’s had risen to a fever pitch, becoming positively explosive by the time Exodus took the stage. I made it about halfway through their 90-odd-minute set before throwing in the towel, but what I saw was absolutely spectacular. They are without a doubt a band not to miss, and I was glad for every moment I hung in to soak up some of the torrent they unleashed upon the crowd.”

Natalie Zed recaps the Toronto performance by EXODUS, HOLY GRAIL, BONDED BY BLOOD and more at Toronto’s Mod Club on August 24, 2010

“What stood out for me was Steve Austin. Not only did the conservative persona I observed earlier in the evening quickly disappear and was replaced by an incredibly intense musician who howled -either in pain or in passion, I don’t know – but it was clear where one could be in awe and be incredibly afraid of him all at once. With veins popping out of his neck, he was rigid and tense, but then on the turn of a dime, overcome with emotion and completely vulnerable.”

Laina Dawes reviews the August 22nd Toronto performances by UNSANE, TODAY IS THE DAY, KEELHAUL and VILIPEND at Sneaky Dee’s

Holy Christ, the new songs Ion Dissonance played, which were about half their set, blew me away. Crazy, maniacal and with a heavy as an elephant low end, these guys use 8 string guitars and you can feel it in the stomach. Their performance was tight, to the point and they left it all on the field.

“Next on the docket was Hamilton’s own Deathmarch. For reasons I’m not fully aware of they were without a drummer tonight, getting by with a drum track and Northern Storm Records label head Rob Cranny. By this I mean that Rob sat in the middle of the stage, shirtless with drum sticks in hand, phantom drumming throughout the entire set. Remember what I said about metal being fun?”

Renee Trotier reviews the August 18th performance by DEATHMARCH, ESOTERIC DOCTRINE, HALLOWS DIE and TWILIGHT CHILD at the Corktown Pub in Hamilton ON.

“I have no bone to pick with VOLBEAT at all. Their heavy metal/rockabilly/early rock’n'roll gangster aesthetic is fantastic. They’re greasy, twangy and a hell of a lot of fun to see live. Michael Poulsen embodies their sound: lean, punchy muscles, the lines of his brow and cheekbone just a little haggard from hard living, slicked back, dark hair and covered in old-school tattoos. His voice is surprisingly clean. Volbeat’s set was idiosyncratic and playful.”

Natalie Zed reviews the August 17th Toronto performance by VOLBEAT, THE SLEEPING and DOMMIN at the Mod Club. VOLBEAT live photos by Adam Wills.

Natalie Zed reviews the August 6th performance of FATALITY, TERRORHORSE and HALLOWS DIE at the El Mocambo in Toronto, ON

Mares of Thrace are one hell of a lot of fun to watch live and they will blow you away. If the new song they played at Kilroys is any indication (Pale Neck), their next record is also going to be a monster, possibly better than The Moulting but I’m not sure if that could happen.