I’d love to say that Tornado on the Tracks blew me away, but it didn’t. It’s definitely catchy and a good listen, but it’s a lot more mellow and not quite as memorable as I had hoped. I think it’s a good first step for the band, hopefully this will result in further albums from the band as the talent is definitely there, it just didn’t come out in these songs.

The first Wino unplugged record was a neat little novelty, but even with a guest star on this one, I’d say it’s still one too many. Frankly, I can’t even see this tiding me over till the new Saint Vitus record comes out.

All in all, Comeblack is a pretty good record, it’s not going to take the place of the classics but it’s a pretty awesome way to let those of us who never saw the latest incarnation hear how things would have sounded.

I dunno man, all the pieces are there, but I’m not really feeling it. These guys don’t bring anything new to the table, that’s for sure…

Invisible Empire definitely has less Monster Magnet feel to it though and that’s not a bad thing at all, giving Bob and Jim a little distance from their ‘other’ band lets Riotgod stretch a little more as well.

If you dig Torche, Mastodon, Baroness, Kylesa and the like, then you will dig this to a degree I’m sure.

Album number two from The 11th Hour is darker and more bombastic than their debut. Throughout the album the two interweaving vocal styles add a lot of contrast, meaning the epic-length tracks never fall flat. Lacrima Mortis’ collection of harrowing tales is cloaked in a godforsaken veneer, and it’s a credit to Warby’s talents and songwriting ability that he manages to preserve that requiem-like atmosphere throughout.

Misery Wizard is the first full-length release from this Rhode Island trio, though it’s clear from the first note that they’ve taken a few classes at the University of Doom Metal.