This album is clearly all about re-establishing the Misfits as a creative entity and that focus is plainly apparent from the moment the album’s title track crashes to life and opens the proceedings.

This is what the Tangent does best: bringing stirring music and real-world ideas together. They’re working class heroes, in a way. Prog rock fans aren’t used to being confronted by such blunt lyrical statements, but that’s part of the challenge that this album threw at me. Once I got in tune with its approach, COMM became a rewarding listening experience.

Jason Wellwood reviews the new self-titled third album by Threat Signal and then interviews Jon Howard about the new album, touring internationally and their upcoming tour in 2012 North American tour with Children Of Bodom.

Vermin to the Earth is a bleak, vicious, and razor-sharp swipe at the gut. No warning bites here, Thrall make it clear they will not rest until they see/bring forth complete annihilation.

Scythia have outdone themselves on this record. One listen to it with your headphones on and you’ll be humming the oboe parts to ‘For The King’ and quite possibly singing it over a pint of mead down at ‘Hobarth’s Inn’. …Of Exile is a fun, rollicking ride and I suggest you strap on your leather armour and your bastard sword put on this album and lose yourself in adventur

Jason Wellwood reviews the new Fuck The Facts album Die Miserable and then interviews Topon Das about the new album

Whenever possible, Hellbound tries to get you the scoop on everything new and noteworthy in metal, but sometimes things slip through the cracks. Redemption at the Puritan’s Hand, originally released in April, was one of them. However, this album’s moment has not passed. It looms large, presiding like a revered elder over everything else released in 2011.

As a whole, this album is a very long slog, but not an entirely unpleasant one.