The Filth shows enough promise that I’m curious to see what haarp come up with for their next record.

Meravigliosamente malinconico (beautifully melancholic) is the best way to describe At The Soundawn as Shifting is an intensely refreshing listen, leaving you with moments of nostalgia to acrylic imagery of future endeavours.

Containing three additional songs taken from the album sessions that just didn’t fit within the parameters of the album plus two live songs recorded live at the band’s performance at the 2010 Roadburn Festival, Shatter is every bit as essential as the full length is.

Hellbound readers, we’re sure that by now you are all familiar with our Natalie Zed, right? Natalie was our big grand prize winner way back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?

She’s reviewed all the original CDs and is now reviewing newer things that have made their way to her. Here is part seven of her ongoing series of what we like to call “Postcards With Natalie Zed”…

This is a tremendous return to form for Cradle of Filth, their best album since Midian, and hopefully the catalyst for a creative renaissance. Colour this skeptic pleasantly surprised

A band from Israel that sounds like Eyehategod!? Okay Relapse, you’ve piqued my curiosity…

If you’re into Torche, Baroness, Harvey Milk or the Melvins—especially their most recent output—then Black Sleep of Kali is your new band.

Jupiter succeeds through sheer intensity and vitality, enhancing Atheist’s legacy as they scream to be heard in the noise-saturated 21st century.