“It’s really not our place to tell anyone how to do anything, or to make any sort of suggestion about how people should live. That’s something that we’ve never wanted to do and we never will do. That’s something that happens in a lot of music. A lot of punk music in particular has a political agenda of trying to convince someone of something. We’ve always been against that, and we’ve never wanted to appear that we’re sitting on a high horse trying to lead people. As you mentioned, living like we do is not an option for most people. It’s appropriate for us, but it’s just for us.”

Jonathan Smith in conversation with Aaron Weaver of Wolves In The Throne Room

“There’s no doubt in my mind that when I look back on 2011, this show will stand out as one of my top concerts of the year. It was incredibly well curated and all the artists on the bill enhanced and challenged one another. I was initially disappointed that Ghost couldn’t make this show due to visa issues, and wondered how the substitution would affect the line-up. As it turns out, it was a non-issue. The flow of the performance, the tension and build, was lovely and perfectly balanced — definitely one of the best tours to come through Toronto in a while.”

Natalie Zed reviews the Sept 30th performance by Enslaved, Alcest and Junius. Concert photography by Adam Wills

“As evidenced by my previous review of their infectious Ain’t No Night album, Heinali and Matt Finney’s music really crept up on me this year. A taut, vivid marriage of shoegaze, post-metal and doomy spoken-word, the duo craft something very special, unlike anything I’d heard before. That they do it from separate continents, despite having never met in person, just ups the impressiveness factor for me.

I recently caught up with Matt Finney to discuss what duo have been working on recently, and what they’ve got planned for the near future.”

Kyle Harcott in conversation with Matt Finney.

Hi friends. It’s been a while. I know it. Sean certainly knows it. You, on the other hand, probably didn’t even notice I was gone. That’s okay. In my absence, I heard a rumour that some people have reaffirmed a love affair with vinyl. Some of these people even own turntables! Fucking crazy!! So, in salutary notion to those of you keeping it real and the labels who graciously send us their latest releases on varying colours of wax, I present the all-vinyl edition of Rimshots.

Katatonia, the Swedish kings of melodic gloom, are enjoying a couple of anniversaries in 2011. To celebrate, the band is playing a little more than a handful of headlining shows on the nights when current tour mates (and fellow Swedes) Opeth have decided to take some time off. Hellbounders Adam Wills and Laura Wiebe caught the fourth of seven such gigs scheduled in North America, crossing the border into New York State to see how our southerly neighbours would welcome one of our favourite bands.

Although he almost missed it – please see inside for all the details – Hellbound’s Rob Kachluba finally made it back to Atlanta GA earlier this month for this year’s edition of the ProgPower USA Festival. Here is Rob’s recap of the three days that he was in attendance at the fest, which included performances by Evergrey, Sanctuary, Ihsahn, Haken, While Heaven Wept, Forbidden, Therion and many more.

Days after kicking off a North American anniversary tour, with headlining dates tucked in between dates opening for Opeth, guitarist/songwriter Anders Nyström enthusiastically answers Laura Wiebe’s questions about Katatonia’s latest activities and current travels on this side of the Atlantic.

“Luckily, it was Kampfar who delivered that adrenaline-shot of what I needed. Taking to the stage with ‘Mare’, from their most recent album of the same name, the band proceeded to blow the doors off with an unrelenting set that not only roared far louder and rawer than they do on record, but also proceeded to garner them the largest crowd of the night. The pagan and folk influences I’d read so much about were barely there, foregone in favor of a very straight-to-the-jugular approach.”

Live review by Kyle Harcott; Concert photography by Ted Reckoning