Above all, I was profoundly impressed by how satisfying it was to sing along to their music with a room full of rabidly passionate metalheads. It felt like I was participating in a kind of full-contact crowd karaoke, especially during “The Heart Collector” and “Inside Four Walls.””

Natalie Zed documents Nevermore’s recent visit to Toronto accompanied by Warbringer and Blackguard.

“It was horrible. We were not well-received at all. People would throw dog food at us. People called us pussy metal.”

On the eve of the release of their excellent comeback album Jupiter, Justin M. Norton speaks with ATHEIST drummer and co-founder Steve Flynn about their early years, the re-emergence of the band and their exciting new album.

“I was immediately struck by the rawness of their sound, distorted and fuzzy and positively enormous in scale. The chemistry between all four members is undeniable when experienced live, and the crackling energy that passes between them combines to create a deadly force field you can actually feel hanging in the air.”

Hellbound’s Renee Trotier caught the Toronto performance of Bison B.C., and lived to tell the tale…

“Yes, the glory days are behind them. Yes, they are not the young men they once were. But this show was not about recreating the past. It was about proving that the fighting spirit of Suicidal lives on. Their drive, their energy, their relentless positivity comes through in every single performance, every single song.”

Cara Cross reviews the recent Seattle performance by reinstated So Cal crossover act SUICIDAL TENDENCIES

“I think the biggest thing that has helped with the resurgence in classic power/speed metal is probably blogs and the internet. Plus, there’s so much crappy music out there that it seems only the classic metal/power/speed bands are worth listening to since they still stand the test of time.”

Kevin Stewart-Panko in conversation with HOLY GRAIL vocalist James Paul Luna about their debut album, Crisis In Utopia, set for release October 26th on Prosthetic Records

“I wondered though, if anyone else was visibly shocked when (Page) Hamilton entered the stage. He was not only thin, he was gaunt. If it wasn’t for his deft guitar playing and strong, clear and commanding voice, I would have expected him to crumple onto the floor at any second.”

Laina Dawes caught up with Helmet and Intronaut at their Toronto stop at Lee’s Palace on October 17th.

“Visually the band’s performance style is understated, but the smaller venue allowed them to overwhelm the space. Alongside the expected Triptykon material, sounding much like it does on record, the set list was Celtic Frost-heavy, songs like “Procreation (of the Wicked)” snarled out with vicious intensity.”

Laura Wiebe reviews the recent Toronto performance of Triptykon, who were joined by 1349, Yakuza and Sylvus.

Most of our lyrics are a reflection of the times and the country we’re living in. I think that the main lyrical concept of the record is the loss of faith in pretty much everything. Politics, religion, media. Playing is a very cathartic experience, so it’s something we’re doing mostly for ourselves. The band is pretty much an outlet for our negative sides.”

Keith Carman interviews Michael Bertoldini of THE SECRET about their new album Solve Et Coagula, the band’s debut album for Southern Lord.